Hotel Enfrente Arte Ronda blog

Enfrente Arte is a boutique hotel in Ronda, Andalusia, Spain.
Enfrente Arte es un hotel con encanto en Ronda, Andalucía, España.
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JEREZ DE LA FRONTERA & BODEGA

Sherry isn’t usually a tipple associated with cricket, as the ‘barmy army’ would surely agree. And yet it is because of this little glass of sunshine that cricket was played, for a tie, in a corner of Southwest Andalucía – a game not just of English gentleman but Spanish ones too.



In fact from Shakespeare to the modern day Poets Laureate – who still receive “a butt of sack per annum” or the equivalent of around 110 gallons of stuff – sherry has forged a special bond between the British Isles and its home town, Jerez de la Frontera. It is a bond which still exists today and which gives Jerez its own unique character amongst Spanish cities.


The City of Jerez de la Frontera


The very word, ‘sherry’, is an anglicized for of the original Moorish name for Jerez itself, the place which lies at the heart of the sherry producing area in Cádiz province. The elegant streets are filled with the heady aroma of the area’s most famous export, and the roll call of sherry bodegas – Sandeman, Garvey, Terry, Osborne, Williams & Humbert to name but a few – bears witness to that special connection.



English merchants were already trading in this part of Spain back in the 15th Century, and England’s Spanish Queen, Catherine of Aragon, wrote to her father to tell him how much her husband Henry VIII was enjoying the sherry he had sent. When Drake came to Cádiz to “singe the beard of the King of Spain” and scupper his plans to invade England, he also managed to capture nearly 3,000 barrels of the fortified wine to take back with him. It made him a rich man and marked the start of the English love affair with sherry.

For sherry connoisseur José Luis Jiménez Garcia, it’s a source of pride and wonder that his beloved ‘vino de Jerez’ has forged this centuries-old link between his home town and the British Isles. “Sherry is the symbol of our union”, he says. “England and Spain have been enemies in the past. But in truth we’re united by sherry. Even the vocabulary – ‘dry’ and ‘cream’ – is shared.”


Shakespeare and his friends at the Mermaid Tavern

Born in the shadow of a bodega, José Luis has made it his life’s work to explore and promote sherry’s influence on culture and the arts. “Isn’t it incredible to think that we are sitting here today sipping the same sherry that Shakespeare loved to drink in the Mermaid Tavern in London 400 years ago? It was an inspiration to him, and he mentions it in his plays no fewer than 48 times – I know, because I’ve counted them.”

The English nation’s growing love for sherry or ‘sack’ is most famously reflected in Shakespeare’s creation, Sir John Falstaff, who declares: “If I had a thousand sons, the first humane principle I would teach them should be, to forswear thin potations and to addict themselves to sack.”

The Irish were some of the first to realize the business opportunities in forswearing “thin potations”, perhaps because Ireland and Spain at one time shared not only their Catholic faith, but a common enemy – England. Today the names above many of the sherry bodegas tell the story of the influx of Irish driven overseas by famine and oppression – O’Neale, Garvey, Terry and even the famous Domecq which was originally founded by an Irishman, Patrick Murphy. The O’Neale bodega would later produce its own sherry named The Wild Geese in memory of these origins.


Domecq Palace

In 1754 Scotsman Arthur Gordon also fled the religious wars of the time and concentrating his efforts on the wine business did very well for himself. The home he built in Jerez still exists as does his Scottish estate at Wardhouse which has been passed down through generations of Scottish-Spanish heirs, including one Pedro Carlos, known as the “mad laird” who is said to have built a bullring there. History does not relate how the scots took the bullfighting, but the link between sherry and Scotland remains: the finest Scotch whisky is aged in old sherry barrels.



The English also came to Jerez. They founded Williams & Humbert, and the famous Sandeman house, which also tapped into the market for port fro neighbouring Portugal. The London-based agent, Robert Byass, joined with Manuel González Byass, which partnership created perhaps the world’s best-known sherry, Tio Pepe. This partnership lasted for 133 years, and today González is one of the sole remaining family-owned bodegas.

In Victorian times England and in particular London was increasingly the centre of trade from Jerez. And with British authority expanding across the globe, the demand for sherry was also on the rise. It reached its peak at the height of the Victorian era when no sideboard was complete without a decanter of the amber liquid – in those days mostly the sweeter variety. British influence was such that Madrid society started drinking sherry because it was fashionable in London and sherry achieved ‘fashionable chic’ in its own country.

Over the years, a love of the drink has drawn many English-speaking writers to visit the hoe of sherry, among the Lord Byron, who found the local beauties’ “dark languishing eyes… irresistible”, Anthony Trollope, Somerset Maugham, Aldous Huxley and even Ted Hughes. Literature ranging from Graham Greene to Harry Potter is littered with references to the fortified wine which numbered the Beatles amongst its fans.

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THYSSEN BORNEMISZA MUSEUM - MALAGA

Last 20th of March Francisco de la Torre, Mayor of Malaga, and Baroness Carmen Thyssen-Bornemisza, signed an agreement to create a new Thyssen-Bornemisza Museum in this capital of the Costa del Sol, Andalusia, in emulation of its big brother in Madrid, where the Thyssen-Bornemisza Museum has been a principal and popular attraction for decades now.



In the year 2006 the negotiations began because in 2016 Malaga would like to aspire to the title of Cultural Capital of Europe. But the city also wants to gain respect as a cultural city and profile herself as a big city, trying to give its inhabitants European standard of urban quality.


Malaga 2016 Logo


The new Thyssen-Bornemisza Museum will be housed at the Villalón Palace (Palacio de Villalón), a very stylish building of 5,500 m2 over 5 floors, from the 16th Century at Compañía Street in old part of Malaga, where Mudejar ornaments were found which they are reforming now. These reforms had just been started because the idea was to house at this little palace the Museum of the History of Malaga (Museo de la Historia de la Ciudad).


Villalon Palace - Future Thyssen Museum Malaga


This building, visited by the Baroness in person last December, was of residential use till the 20th century when it was headquarters of various companies who reformed it quiet aggressively till how it is now. Paradoxically the false ceilings they installed favored the preservation of the original ceiling.


Baroness Thyssen visiting Villalon Palace


The project of the Thyssen Museum – Malaga will be realized with a part of the Baroness’ unique collection of Spanish paintings of the 19th and 20th century completed with artists from Malaga from the same era.

The Carmen Thyssen-Bornemisza Collection is created by the continuation of the Thyssen-Bornemisza Collection that had been housed in the museum with the same name in Madrid. The works of this amazing collection are basically Holland paintings from the 17th century, Veduta art from the 17th century, Naturalist landscapes of the 19th century, French as well as North-American, Impressionism, Post-Impressionism and the first avant-garde from the 20th century, mainly German expressionism paintings.


Thyssen-Bornemisza Museum Madrid


The impressive collection Thyssen has been travelling all over the world, presented in Madrid since 1996, but shown in Shangai, Rome, New York, Lugano, Tokio, Mexico, Brussels and Bonn, and also in different Spanish cities.

The agreement between the Baroness and the city of Malaga implies a free loan of the works for 15 years, of which 133 works correspond to the Andalusia Collection and 225works at the Spanish Collection and of which some 40% were never shown in Museums before.


Work from Domínguez Bécquer


Within the paintings of the 19th century there will be an important representation of Romantic Paintings and works from artists who usually are not shown in public collections like Eugenio Lucas Villamil or Custom Painting like Cabral Bejarano, Domínguez Bécquer, García Ramos or Jiménez Aranda.


Work from Jiménez Aranda


Other artists from that century who will be presented are Zuloaga, Regollo, Joaquín Sorolla, Romero de Torres, López Mezquita, Jiménez Acosta y Gutiérrez Solana.


Work from Joaquin Sorolla


There will also be works from the 20th century signed by Juan Gris, Moreno Villa, Bores, Francisco Cosío, Evaristo Valle or Benjamín Palencia, and from painters from the late 2oth century like Gerardo Rueda, Saura, Úrculo or the Equipo Crónica, while the Baroque Era will be represented by Zurbarán’s “Santa Marina”.


Zubaran - "Santa Marina"


The deal between the two parties is one of the mayor cultural novelties of the city of Malaga, since the opening of the Pablo Picasso Museum - Malaga, an extraordinary museum of the mayor icon of the world of Contemporary Art.

It is even likely to think that Carmen Cervera, the baroness’ real name, was completely inspired by this museum to come up with her own museum. Anyway the idea that Malaga soon will have both museums makes the city definitively cultural and artistically capital of Andalusia.


Pablo Picasso Museum Malaga

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BOTANICAL GARDEN – MALAGA



The Botanical Gardens in the city of Malaga were created in 1855 by the Marquis and Marchioness of Loring and subsequently extended by the Echevarria-Echevarrieta family. The gardens provide an exquisite open-air collection of tropical and subtropical flora. Plant species from Europe, America, Asia, Africa and Oceania can be found here.

The Botanical garden was officially declared historical-artistic gardens in 1943 and they are now also recognized as Item of Cultural Interest. In spring 1990, the gardens were taken over by Malaga City Council, who opened them to the public on 21st June 1994.



The origins of La Concepcion can be traced back to the merging of several estates located at the north of Malaga. This was a home to olive and almond trees and possibly vines, though the citrus trees were the most numerous. The gardens’ creators were Jorge Loring Oyarzabal and Amalia Heredia Livermore, who purchased the land on which they stand in about 1855.

The Marquis and Marchioness’ comfortable economic situation coupled with their first-hand experience of some of Europe’s finest gardens and their commercial dealings abroad enabled them to cultivate the most exotic of plant species from around the world. In order to ensure that their dream came to fruition, they enlisted the services of a French gardener, Chamousst, who selected and planted the gardens’ flora, an endeavour for which he was awarded a number of prizes, as witnessed by newspaper reports of the late XIX century.

La Concepcion quickly earned itself a fine reputation throughout Europe, though not for its exuberantly beautiful gardens; the source of this renown was in fact the magnificent collection of archaeological remains on display in the Loring Museum, a small, Doric-style building erected on the site of a Roman mosaic discovered in Cartama depicting the feats of Hercules.



For many years, the Lorings strove to restore all of the archaeological remains that they encountered. Without doubt, the most significant of these was the Lex Flavia Malacitana, a bronze piece bearing the Roman laws that governed Malaga in the year 80AD which now resides in the National Archaeology Museum.

La Concepcion’s historical garden dates back to 1857. The area known as the "botanical garden" (collections of plants grouped in accordance with scientific criteria which are used for research and educational activities) has subsequently sprung up around it, with numerous groups of plants laid out in the manner of a garden. Fruit trees, bamboos, palms, vines, Mediterranean and aquatic plants etc. have gradually created a series of different gardens in which the visitor can both stroll and learn.

The main attraction of this romantic-style garden, which covers 3 hectares, is its collection of palm trees. This is notable for its inclusion of such unusual species as Livistona saribus and Livistona decora (L. decipiens) and for featuring a number of majestic specimens such as Roystonea regia, Brahea armata and Jubaea chilensis.



Also to be found here are Cycads (C. revoluta and C. circinalis), Ficuses (F. microcarpa and F. macrophylla), Araucarias (A. heterophylla and A. bidwilli) and huge masses of giant Birds of Paradise (Strelitzia nicolai).
The bamboos (Phyllostachys nigra and Bambusa vulgaris) add a touch of beauty to the whole ensemble, whose singularity lies in the fact that it features a large number of tropical and subtropical plants that are very rarely found growing outdoors in Europe.



In addition, the garden’s vegetation is housed in a gentle landscape filled with surprises, where winding paths lead to unique, charming corners that are home to ponds, fountains, cascades, footbridges, greenhouses and statues.

We have the Lorings to thank for all of La Concepcion’s buildings: the large Stately Home, which is currently being restored, and the building known as the "administrator’s house" were erected in the XIX century; the latter is home to both the Training Workshop, which offers courses in gardening, building and carpentry, and the Technical Department of the Botanical Trust.

Also to be found here are an old gardener’s shed, now the headquarters of the “Association of Friends of La Concepcion”, and a former schoolhouse which is soon to play host to the “Nature School”. The avenue lined with banana trees, the Swiss cheese plant cascade, the Loring Museum and theatre areas and the most attractively landscaped corners of the historical garden all date back to the same era.


The Loring Museum

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WOLF PARK ANTEQUERA



LOBO PARK - The world’s unique Wolf Park


In a short distance from Antequera, in the north west of the Andalusia province of Malaga, you find the incredible LOBO PARK (Wolf Park) where you may look at a wolf Eye-to-Eye for the first time in your life. An unforgettable emotion!




If you are looking for a very special evening out, don’t miss the weekend HOWL NIGHTS from May till October. Enjoy a BBQ on the terrace with a spectacular view on the El Torcal during the sun set.


Sun Set View on El Torcal from Wolf Park (Lobo Park)


For an original day out this this original Wolf Park offers you the opportunity to witness wolves in an exceptional environment that leaves you without any doubts that animals in captivity do have a chance to live in a semi-natural habitat.


Undoubtedly you will be overwhelmed when you join the guided tour, the Wolf Tour, through the Wolf Park and hear the different wolf packs howl to each other. (Reservation required)


This world’s unique wolf park, where you find 4 of the most interesting wolf subspecies in the world, offers you a variety of activities like Guided Wolf Tours and Summer Howl Nights. There’s also a child friendly Petting Zoo, where you can see and get closer to some of our animals.







Lobo Park Petting Zoo


Beside al this you can do some Horse Riding there or just find yourself an original souvenir in the Gift Shop.


OPENING HOURS
The park is open all year round from 10:00 till 18:00 except on the 25th of December and the 1st of January.

GUIDED WOLF TOURS
From Monday to Friday: 11:00, 13:00, 15:00 and 16:30
Saturday and Sunday: 11:00, 12:00, 13:00, 14:00, 15:00 and 16:30

RATES
Guided Wolf Tour: Adults € 8, 50 – Children (3-12 years) € 5, 50

WEBSITE WOLF PARK:

http://www.lobopark.com/navi/index_e.htm

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12th Territiorios Sevilla 2009 - Monasterio de la Cartuja

12th Territorios Seville 2009


28th , 29th and 30th of May 2009

At

Andalusian Centre of Contemporary Art (C.A.A.C)
(Monasterio de la Cartuja)

Seville - Andalusia - Spain






On the 28th , 29th and 30th of May 2009 the old renovated Monastery Saint Maria of the Caves in Seville, “Monasterio de la Cartuja de Santa María de las Cuevas”, will again receive thousands of festival lovers to celebrate three days of love, peace and music... Contemporary music for all types of people with an amazing mix of national and international artists bringing you Independent Rock, Alternative, World Music, Indie, Hip Hop, and so much more, like Electro, Eclectic, Lounge and Industrial.




Emir Kusturica


Some of the names on the program were already known for a while, like Ojos de Brujo, Wilco and DeLaSoul and The No Smoking Orchestra with the unmatched Emir Kusturica, for example, but the organisation now completed the list of artists who will perform for all 3 days. Important names in contemporary music like the Beastie Boys’ DJ Mixmaster Mix, Cycle, Diplo and DJ Muggs from Cypress Hill confirmed their presence.


MixMaster Mike (DJ Beastie Boys)




The festival is divided in three themes: on Thursday 28th you can feel the world music vibes with TERRITORIOS MESTIZOS, on Friday 29th you shake and rock on TERRITORIOS POP / ROCK / ELECTRONICA and on Saturday 30th of May you break and dance on the hip hop beats on TERRITORIOS HIP HOP.

Detailed Schedule of the Festival/Programa Festival

Thursday 28th of May 2009 - Jueves 28 de Mayo 2009
Friday 29th of May 2009 - Viernes 29 de Mayo 2009
Saturday 30th of May 2009 - Sábado 30 de Mayo 2009



Monastery Saint Maria of the Caves in Seville
“Monasterio de la Cartuja de Santa María de las Cuevas”



HISTORY OF THE MONASTERY
In February 1990 the Andalusia Government (Junta de Andalucia) gave green light to reform the old Monastery Saint Maria of the Caves in Seville (“Monasterio de la Cartuja de Santa María de las Cuevas”), situated on the right bank of the Guadalquivir River just in front of the Seville city centre. (direction Itálica and Aljarafe).

In the past they built here a number of ovens to create ceramics because of the huge amount of clay and mud on this spot. According to the legend it was in one of these ovens that back in 1248 appeared a Virgin. That’s why it is called The Virgin of the Caves (Virgen de la Cuevas).


To worship this image they first installed here a hermitage and in 1399, Gonzalo de Mena, Bishop of Seville by that time, founded the Monastery de la Cartuja donating more sites to the convention.


Don Gonzalo de Mena


In its 6 centuries of existence the Cartuja has gone through moments of big glory but also of grave crisis. Because of its geographical situation, right next to the Guadalquivir River, the Monastery has been going through several, almost annually, floodings. But thanks to some wealthy families in Seville, like the Mena, the Ribera and the Veraguas, the Convention was economically protected to maintain their existence.

It was also in this Monastery the residues of Christopher Columbus were kept for more than 30 years. Frequently Columbus visited the Convention and also enjoined its hospitality towards him to prepare his second trip.

Santa María de las Cuevas or Saint Maria of the Caves was the spiritual retreat of Philip II and also frequently visited by important persons in Seville history like Arias Montano or Teresa de Jesús, and all Spanish kings visiting Seville. Throughout history the Monastery could create an amazing artistically treasure with works from important Spanish artists like Alejo Fernández, Durero, Pace Gazini and Aprile de Carona; Montañés and Mesa; Murillo, Cano and Zurbarán; Pedro Roldán, Duque Cornejo, etc.

Apart from being a stable monument, the Cartuja was also an immured city with continuous changes. In 1810, during Napoleon’s invasion in Spain, all Monasteries were banned and invaded by the French, reforming them into army barracks for the French troops. The monks escaped to Portugal and came back in 1812 to be permanently expelled in 1836 by the Repression of Mendizábal.


Desolated and tattered the Monastery was taken over by the English business man Charles Pickman who installed a crockery and china factory in 1841. For the needs of the manufacturing of crockery and china several chimneys and 10 ovens, of which 5 are still upright, were built and gave the final look of the monastery. The factory kept on being active till 1982.

In 1986 the Andalusia Government started to reform and rebuilt the Monastery with the idea to reserve all essential activities from the past. In this context they installed at the plot of the Monastery an Investigation and Cultural Centre, back in 1989.

Additional works were later on be done for the World Expo 1992 in Seville, to change finally into the Andalusia Centre of Contemporary Art (CAAC) in 1997. The Centre was created with the aim of giving the local community an institution for the research, conservation and promotion of contemporary art. Later the centre began to acquire the first works in its permanent collection of contemporary art.

The CAAC, an autonomous organisation dependent on the Andalusian Government (Junta de Andalucía), took over the collections of the former Conjunto Monumental de la Cartuja (Cartuja Monument Centre) and the Museo de Arte Contemporáneo de Sevilla (Contemporary Art Museum of Seville).

From the outset, one of the main aims of the centre has been to develop a programme of activities attempting to promote the study of contemporary international artistic creation in all its facets. Temporary exhibitions, seminars, workshops, concerts, meetings, recitals, film cycles and lectures have been the communication tools used to fulfil this aim.

The centre's programme of cultural activities is complemented by a visit to the monastery itself, which houses an important part of our artistic and archaeological heritage, a product of our long history.

CONTEMPORARY ART

Permanent Collection




From a chronological point of view, the CAAC collection can said to date from 1957, the year in which Equipo 57 became known. The permanent collection includes pieces by Luis Gordillo, Candida Hofer, Rebecca Horn, Pablo Palazuelo, Joseph Kosuth and Louise Bourgeois. It focuses in particular on the history of contemporary Andalusian creativity and its relationship with other national and international artistic contexts.


Some works of Equipo57


To complement their visit to the centre, visitors may also see the historical grounds of the former monastery which includes the old chain door, atrium, chapels of Santa Catalina, San Bruno, Santa Ana, Profundis and la Magdalena, the priory cell, church, the sacristy, cloisters, monks' chapter, refectory, gardens and orchards.


Installation from Joseph Kosuth


Since 1994 the centre has organised a series of themed exhibitions relating to different aspects of the Monastery in which pieces from its archives address relevant events in contemporary aesthetic creation.


Louise Bourgeois



Documentation Centre Library

At present the Library contains over 26,000 volumes concerning multiple aspects of contemporary art, with particular interest in exhibition catalogues from the 1960s to the present and numerous facsimiles. The Library also subscribes to almost a hundred periodical publications and has an important collection of exhibition leaflets, posters, audiovisual material, etc.


More info CAAC at:

http://www.juntadeandalucia.es/cultura/caac/english/frame.htm

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NEW FLAMENCO CLUB in Ronda (Malaga)



The president of the Ronda City Hall Culture Department, Salvador Pendón, inaugurated the installations of the new Flamenco Club (Peña Flamenca) from Ronda (Málaga), this in the presence of the Ronda mayor, Antonio María Marín and the president of the Flamenco Club, Francisco Caballero.


A huge number of Ronda people came to the opening to see the first flamenco performance in their new club. It were the flamenco dancers Fátima y Moisés Navarro who were invited to inaugurate the stage. They were assisted by Delia Membrive (singing), Fran Vinuesa (guitar) and Rafael Heredia (percussion). The typical hand-clapping or ‘palmas’ were done by Juan Santiago and Amara Navarro.


The flamenco dancer Moisés Navarro


This new flamenco club in Ronda was created by the fusion of the 2 ancient flamenco clubs: “Peña Tobalo” and “Fernanda y Bernarda” . From now on Ronda disposes of a brand new club with a capacity of 400 people.

In his speech the mayor emphasized the importance of having a multifunctional Flamenco club in Ronda, the heart of Andalusia, where flamenco always had a central role for its people. He also added that it will be the ‘socios’ (Alleys) themselves who will bring life to these fantastic installations. Mr. Salvador Pendón on his turn honoured the most important local flamenco stars like Anilla ‘La Gitana’ and Paca Aguilera.

SEE ALSO:

More info about "Anilla La Gitana"

http://www.enfrentearte.com/hotel-ronda/2009/01/ronda-and-flamenco.html


Concerts in Flamenco Club – Ronda (Peña Flamenca)

Fridays 10th , 17th and 24th of April 2009:

Eliminatory of the Sing, Dance and Play Contest “Aniya La Gitana”.
Where: Sede Peña Flamenco,
Peña Flamenca Tobalo y Fernanda y Bernarda
Dolores Ibarruri Street, 8
22:00 hours
Free entrance

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WHITE VILLAGES ROUTE IN ANDALUSIA

Hotel EnFrente Arte – Ronda presents:

The White Villages Route at Ronda and Surroundings

Ronda - Arriate - Olvera – Setenil de las Bodegas – Acinipo – Montejaque – Benaojan –Pileta Caves – Sierra of Grazalema - Ronda

It is very difficult to determine how long you should stay in Ronda and it’s Serrenia to visit the White Villages. Because of it’s central location, between Seville and Granada, close to the border of the Cadiz province, Ronda is maybe one of the best places to start your White Villages Route in Andalusia. Not only the city of Ronda but also its surroundings offer you a lot of possibilities to spend some weeks here.

The historical city of Ronda and it’s monuments, completed with the Natural Parks from the Serrania and the white villages near, are today one of the most complete holiday packages in Europe. That’s why we would like to present you the White Villages Route from Ronda to the Sierra of Grazalema in Cadiz, over Setenil de las Bodegas, to the Pileta Caves and Cave of the Cat (Cueva del Gato).



Pictures Sierra of Grazalema

From Ronda we leave direction Campillos, from the central roundabout at the Ronda Ring Road, and after a mile we go left, following Arriate. The origin of Arriate comes from the Arabic “Arriadh”, which means “orchard”. It became a village in 1661 and today its population is some 4,000 inhabitants. The people are popular and respected in the era because of their reputation of hard working people. They elaborate excellent sausages, they produce Olive Oil (Aceite de oliva) and there is local furniture industry.


Arriate

The people from Arriate are also very happy people and they like to party; that’s why it is really worth taking part of one of their local Fairs or festivities. The most interesting are definitely the Festival of the Bell Founders (Campanilleros), where the village gathers on early Sunday morning to sing to the Virgin Maria, the Arriate Easter Week of Holy Week (Semana Santa) or the local San Pedro Fair on the 29th of June. Another feast is the famous “Partir la Vieja”, on the first day of Lent (Cuaresma).

We leave Arriate and pass the hamlets La Cimada and Los Prados, belonging to the City of Ronda. We cross the Malaga and Cadiz province border and will arrive at the extraordinary village of Setenil de Las Bodegas. In front of us, like a white drop on the green fields high up on the horizon you can see Olvera. This typical White Village, with an actual population of some 8,750 inhabitants, was founded by the Dukes of Osuna and became an important city during the Reconquest (Reconquista), right on the border of the Catholic North and Islamic South. The famous Arabic Castle from the 14th Century is a good example of remaining of this period. For a lot of Andalusian people Olvera is a place of pilgrimage, not only for its beautiful cathedral Nuestra Señora de La Encarnación.


Olvera


Setenil de las Bodegas is situated in the east of the province of Cadiz and geographically almost completely surrounded by the province of Malaga. Today Setenil has a population of 3,500 inhabitants. It is built on the borders of the Guadalporcún River cutting the Miocene Rock landscape, serving as a natural defence of the village throughout its history. It belonged to the Catholic Kings (Reyes Católicos) who conquered it in September 1484 after intense battles. To celebrate this victory Queen Isabelle donated a “chasuble”, still to be observed in the parish church.


Setenil de las Bodegas


The small cave-like streets of this astonishing village are formed from the overhanging ledge of a gorge. Many of the white houses - some two or three storeys high - have natural roofs in the rock and are constructed into the caves and burrows on both sides, attached to the rocks. A short walk through the village is absolutely a must.

From Setenil we follow our road to El Gastor, the Balcony of Andalusia, and we’ll see a sign to Acinipo. Acinipo or Land of Wine is also known as Ronda La Vieja. The site of Acinipo was already occupied before Roman expansion in Spain, being situated as it is on a high point above a large flat plateau. It was a Phoenician colony in the pre-Roman period. The site was important not only for its strategic location, but also as a junction. High up in the mountains, from Acinipo roads and passes lead down to the south coast, to the west coast at Cadiz, to the Guadalquivir valley and back east towards Antequera. The city was important and wealthy, but began to fade in the mid 3rd century, gradually losing power and importance until the nearby Ronda (Arunda) took over the position of importance.


Acinipo Theatre in winter


Ronda la Vieja's best and most striking remain is the 1st century AD theatre, which stands at the summit of the hill visible from the rest of the city only as a high wall until you reach the building itself. It is remarkably well preserved, which is surprising considering the state of the rest of the site. It is possible to make out some buildings, but most of the city exists as rubble. Heaps of stone denote where buildings lie. With some work, Acinipo could be an amazing visitor site but, due largely to its extraordinarily out-of-the-way location, it is highly unlikely the government will ever pour enough money into it for that.

From Acinipo we go back and follow to the Ronda-Seville road. We go right and after a few miles there is a sign Montejaque and Benaojan. On your right side you have the Montejaque Reservoir and the entrance of the Hundidero Caves, who are connected with the famous Cuevas del Gato.


Cueva del Gato


Montejaque, which means “Lost Mountain” in Arabic, is enclosed by the Sierra del Hacho and the little houses form a white line against the mountainsides. Its origin is Moorish but afterwards it was owned by the Counts of Benavente. Emigration has been the most important social phenomenon is this village over the last years, but it still is famous for it’s manufacturing of products from the Iberia pork. Also, the peace and beauty of this small village is for a selected group of tourists a reason to visit Montejaque.


Montejaque


We leave Montejaque and continue over the Mures Mountains to another Moorish village: Benaojan. This is Arabic for the House of the Bakers. There are some 1,600inhabitants in this small white village and it also belonged to the Counts of Benavente. The village lives from the manufacturing of pork products basically. Its railway station, Benaojan Estación, is only a few miles away on the river bank and has become a real tourist highlight. From the north side of the village, along the abysses and peaks, you will arrive at the prehistorically Panteon of Andalusia, the Pileta Caves (Cueva de la Pileta).


Benaojan


The Pileta Cave is situated at the northern part of the Sierra of Líbar and the Las Mestas mountain massif. The cave was discovered in 1905 by the local Shepherd Don José Bullón Lobato but it was the English Colonel Mr. Vernet who in 1911, after some publications about the caves in the British press, gave the caves its fame. In 1912 the experts Breuil and Obermaier studied the caves and confirmed its huge historical importance. In 1924 it became a Spanish national monument. The imposing frescos in the Pileta Caves are some 15 till 20.000 years old.



Frescos at the Pileta Cave

The caves are part of the Natural Park of the Sierra of Grazalema, one of the three parks in the surroundings of Ronda. This park is situated at most western part of the Serrania and the UNESCO declared it Reserve of the Biosphere in 1977, and National Park in 1984. Very curious is the fact that this Sierra has got the most average sediment from Spain with 2.200 mm. Also very special is the presence of the Abies Pinsapo Boissier, a tree from the Tertiary Age, also to be found at the Sierra de las Nieves. It’s a rough and woody landscape of oak trees, cistus scrubs and medical plants like oregano and lavender. The fauna from the Sierra of Grazalema are mainly foxes, deers and lynx. The park also disposes of one of the biggest manure colonies.


Sierra of Grazalema with the Pinsapo Trees


It is absolutely worth visiting this park for a day and combining this with a visit at the village of Grazalema. This is one of the typical white villages of the province of Cadiz and especially known for its handmade carpets and ponchos. Also the mainly sheep’s wool products can be found in this cosy little village, right in the Valley of the Sierra of Grazalema.


Grazalema (village)

If we take the way back to Benaojan and follow Ronda, we will pass the Military Complex of the Legion, before getting back at the Ronda-Sevilla moterway. From here you are at only 2 miles from the Ronda city centre, where we started our trip.

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RONDA and FLAMENCO

ANIYA LA GITANA - ANIYA THE GYPSY


Aniya la Gitana, the Gypsy

The most famous flamenco star from Ronda is definitely ANA AMAYA MOLINA, born in Ronda on the 27th of September 1885. She is also known as Aniya La Gitana, or Aniya the Gypsy. Very extraordinary is the fact that she besides flamenco dancing, she also could play guitar and sing, which is very unusual. She performed in the best flamenco clubs (Peñas) in Spain, with the biggest stars of her time. She was loved and respected by a lot of people, and knew famous artists and poets, like Manuel de Falla and Federico Garcia Lorca personally. She also is the great aunt of Carmen Amaya (1913-1963), another famous flamenco singer and dancer.

Carmen Amaya

In Ronda you will find a statue of Aniya La Gitana in Santa Cecilia Street, down on the Church of Padre Jesus, and the Ocho Caños Fountain.

Statue of Aniya La Gitana in Ronda


JOSÉ "EL CORTECITAS"

In January 2002 Hotel EnFrente Arte in Ronda (C/ Real,40) invited José "El Cortecitas" to perform life in the EnFrente Arte Studios. José is a blind gypsy guitar player, singing flamenco. Here you can see a video from that historical concert, where José is accompanied by belgian double bass player Filip Vandenbril (see BabyJohn, The Valeria Solanas, ...) playing 'Bulería', a fast flamenco rhythm in 12 beats, originally from Jerez de la Frontera.

VIDEO José "El Cortecitas" playing life at EnFrente Arte - Ronda

Last year José "El Cortecitas" recorded his first album "Entre guitarras y cante", plenty of typical flamenco rhythms like Rumbas, Bulerías, Tango, Malageneas, Fandangos and Tarantos.

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Villages of the Serrania of Ronda

- Igualeja:



Igualeja is a small village half way between RONDA and the Costa del Sol, deeply hidden in the Valley of the river Genal, between both Sierra Bermeja in the South, and Sierra Oreganal in the North.

Absolutely a very nice area to walk about since the village is formed by ravines, whose slopes are covered with pines and chestnut trees, with typical riverbank vegetation on the shores of its river.

The main source of wealth is the forest and harvest annual chestnuts.
As for handicrafts include the development of objects lawsuit esparto, leather and leather goods.


- Parauta:




Located in the headwaters of the River Valley Genal, a transition zone between the central plateau and the depression formed by the river.


The town has many scenic attractions, especially the part that belongs to the Nature Reserve. For its botanical interest and also for their beauty, highlights of the pinsapo of Parauta (Spanish fir forest, a species native fir unique in the world).


Parauta produces mainly chestnuts, although figures prominently logging from pine and olive trees. Other products are spelt, honey and herbs.


- Pujerra:



Like its neighbouring municipalities, Igualeja and Parauta, Pujerra is surrounded by a thick forest of chestnut trees which extends on both sides of the river. The beauty of the landscape coupled with the cleanup and water quality of Genal makes Pujerra hide magnificent corners for bathing and resting locals and visitors alike.

Pujerra's economy is based on the production of chestnuts and logging of pine trees. There are also small areas irrigated by the river.


- Cartajima:



It is a village enjoying incomparable views.


In the area of the village there is remarkables limestone karst formations with a variety of shapes, known as "Los Riscos of Cartajima" and recently appeared in the territory, abundant Roman remains.

The vegetation of the area, are holm oak, chestnut and cork, with a wildlife consisting in foxes, partridges, rabbits and birds of prey. There are fishing in the river Genal, who extended to Cartajima .It was very rich in vineyards until the onset of phylloxera in the early nineteenth century.


- Juzcar:




It is located in the Alto del Genal, in the middle region of the Ronda, near the peak Jarastepar until the municipalities of Estepona and Benahavís. It offers a very varied landscape, from the rock of the Sierra del Oreganal north, until the chestnuts and pine forests in the foothills of the Sierra Bermeja. Also olive tree occupies an important place in this county.

In Júzcar, as in many other villages of Ronda, it fits on an elevation mountain slopes adapt their houses to the streets and broken terrain, set of architectural volumes whites who excel on the peculiar chimneys that stand on the rooftops .


- Farajan:




It is located on the right bank of the river Genal at the limit of locations like Alpandeire, Júzcar, Jubrique and Atajate. In a landscape of deep ravines crossed streams that flow into the Genal, highlights the dominant note of the broad masses of chestnut protagonists of this valley.

The small town centre itself has a physiognomy of the villages of the mountains, low and whitewashed houses of undoubted charm and covered by traditional Arabic tile. The monument is most interesting is his Church of Our Lady of the Rosary.


- Alpandeire:





The origin of the current village takes place around the year 711, being one of the first cities fortified by Muslims in the Serrania de Ronda.


The layout of its streets still felt the imprint of Arabo-Andalusian, impressing visitors to the great hall of his church in San Antonio de Padua. Alpandeire preserved as a monument of historical and artistic House birthplace of Fray Leopoldo, located in the village centre.

In addition, you can enjoy the impressive Genal Valley and other high scenic beauty as the tops of Jarastepar, Carnero and Pozancón, Canalizo of the gorges and Infiernillo and the Hill of the Friars.


- Atajate:



Atajate rises to 745 meters above sea level between the valleys of the Guadiaro and the Genal, beside the road that connects Round and Algeciras

Despite occupying a high position, this small town is open to the Genal Valley, between Peñasblancas peak (1,076 meters) and the Cerro del Cuervo (782 meters), the latter with the village.

A landscape in which olive groves, vineyards and fields of grain coexist with oak, cork trees and bushes, covering stands in low areas and thickets of limestone reliefs environment.


- Benadalid:





Benadalid is located in the middle of Genal Valley, part of the Serrania of Ronda, in a landscape of olive trees, chestnut, oak and cork. The natural environment surrounding the urban core is formed by a mountain range that among the highlights of the Tagus Aircraft, the Tajo de la Cruz and Mount Cuco, some exceeding 1,000 m. tall.


You can visit the archeological remains of the ancient castle of Arab origin, perfectly preserved and converted them into the cemetery. Growing day by day , the tourist value of the municipality, both in their natural environment as the plastic beauty of its urbanism.



- Benalauria:





Benalauría extends its lands from the Genal valley until Guadiaro, immersed in the Serrania of Ronda, in a very varied and rugged landscape. A landscape by cork oak trim, gall oaks and chestnut, which is embedded jewels as the urban white villages of Valle del Genal. the streets keeps in their memory the Arab Andalusian tradition, the narrow, steep and winding streets and whitewashed sales decorated with wrought iron and flowers ..


- Gaucin:





It is the first village of the Serrania of Ronda that you can found on the road linking the Campo de Gibraltar with the City of the Tagus, has all the charm of white villages who fit into the slopes of the mountains hosting the river Genal.

Gaucin has one of the most diverse landscapes in the province, you will find cork, oak and pine forests, as well as formations of shrubs mixed with brown and olive trees, in addition to their gardens and cottages next to the varied vegetation of its banks.

The village is located in La Vaguada that the Sierra del Hacho, under the castle of the eagle, which took a great strategic value because with Gibraltar, was defending the entrance to the south. Built by the Romans, it was the Arabs who left more traces in the compound.

Its streets, Morish track, easily fit into the hill where sits the white and grace of their homes with adorned balconies and bars of the work of expert craftsmen of the forge and forging.


- Jubrique:



Located in the middle mountains, 38 km from Ronda, Jubrique with its 866 inhabitants and 39 km2 presents an economy based primarily on the primary sector, with a strong rule of climatology in the overall activities, subject to atmospheric dynamics. Yours is a way of seasonal production, almost autarchic, as has been typical in these areas of natural resources and broad landscape value, which still enjoy traditional forms.


The town lies within the so-called structural complexity of the Cordilleras Béticas, more specifically in the area Betica. It is characterized by overlapping robes and rode by the presence of geological formations of metamorphic origin. The materials more frequent are slate, mica and Esquit Esquit, with frequent interbedded quartzite.


- Benaojan:




Benaojan is located at an altitude of 564m above sea level in the valley of the Guadiaro and covers an area of 32km2. It has two very distinct districts; Benaojan center and Benaojan station, near the rail and river. Altogether 1,683 people.

We know the origins of these village with the cave paintings found in the cave of the Pileta. Another important cave is the Cave of the Cat, along the Guadiaro River. It also offers of archaeological interest, an important geological sample, since it has elapsed and leave the river Guadares after a tour of 4 kilometers underground. Also the Phoenicians settled there, Romans, Visigoths, Arabs and Christians. As in most of the peoples of the Serrania was during the time when Arabic Benaojan assumes greater importance.


- Montejaque:




The land in the village is between the Ronda region and the Sierra de Grazalema Cadiz, more specifically by the Guadiaro River Valley and the Sierra del Líbar in the western part of the province of Malaga. Most of its territory lies in the impressive surroundings of the natural park of the Sierra de Grazalema.

The origin of Montejaque is clearly Arabic, his name means mountain desert. It was during this there was a medieval citadel that gave an overview of much of the Serrania. During the occupation Arabic, Montejaque enjoyed a remarkable importance. This construction completely disappeared, leaving only his name at the Finca El Castillo. Another of the historic sites of this village is the place known as "The Bridge", where we can still see the remains of a Roman bridge over the river Campobuche.


- Jimena de Libar:




This village of the Ronda region stands at full face mountainous Sierra de Líbar, on the left side of the Guadiaro River. The landscape of this county is very rugged hills villages consisting of oak, cork trees and bushes that extend across the white rock of the mountain. Most of their lands occupied by two strands of the Guadiaro river, the rest lies between the river and village, here the landscape becomes softer with olive crops, corn and irrigated orchards.

Jimera de libar is divided into two villages well-defined: the highest part that is distinguished by olives trees and holm oak and neighborhoods of the station or the bottom near the river. It is one of the most beautiful natural scenery of the area framed between the valley and the Guadiaro Grazalema Natural Park.


- Cortes de la Frontera:





The village of Cortes de la Frontera is located in the Guadiaro river valley, in the serrania of Ronda, province of Malaga. Most of their lands are covered by huge masses of cork trees that run from the river to get within the province of Cadiz providing a beautiful landscape and a special microclimate that is characterized by high humidity and cold air, especially in winter and dry in summer and warm with a nice cool at night.

Within this vast wooded corners you can find some dreamy spots as the site of the Sauceda, where the council has fitted with cabins to stay overnight, or the pit of Buitreras, in the Guadiaro river, to which we can access in three ways, none of them is easy, rail tunnels, by the river and the steep slopes, this unusual place where we can recreate its silence broken only by crows and the flutter of pigeons look at the pit where more than 100 m depth, is located near the township of El Colmenar near the hydroelectric station of Buitreras.

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Igualeja

The town of Igualeja is situated among the Ronda and Sierra Bermeja, in rugged terrain, beautiful scenery and abundant water.

This is a good place to walk on his channel formed by ravines, whose slopes are covered with pines and chestnut trees, sits on its shores typical riverbank vegetation, dotted with beautiful walnut.



The main source of wealth is the forest and harvest annual chestnuts.
As for handicrafts include the development of objects lawsuit esparto, leather and leather goods.

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UBRIQUE WHITE VILLAGES

Situated between the ‘Parque Natural de la Sierra’ from Grazalema and the ‘Parque Natural’ from Alcornocales, Ubrique shows us a village full of charm and history. Small streets with a medieval history, churches, bridges; after the first visit you fall in love with this beautiful village.

We recommend especially the ‘guided tours’ who are organized by the office of tourism, the give us a good idea from the history of the village.




The most important industry from Ubrique is the leather, known worldwide and from an excellent quality. It’s also possible to enter a factory with a guided tour. There also are a lot of shops where you can find anything you’re interested in.

On less than 1 kilometre you have the roman city Ocurrí, who invites you to a trip trough the history, thanks to the remains of the houses, monuments, etc…who commemorate the roman Ubrique.

For further information: http://www.ubrique.es/

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WHITE VILLAGES ARCOS DE LA FRONTERA


Situated on the height of a hill called ‘La Peña’, below you have the river Guadalete. Arcos is the most known village of the white villages in the neighbourhood. It has 28.000 residents and there are several lakes in the region to practice the fishing, the windsurfing and of course the swimming.

The most important economic activities are the agriculture, the cattle breeding and the employments. The cattle breeding is specialised in the breeding of horses.


For further information: http://www.webdearcos.com/

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WHITE VILLAGES SETENIL DE LAS BODEGAS

Setenil is a little white, beautiful village that has his history in the period of the Romans. There are houses in the caves of the mountains, the top of these houses are the stones. This brings us to the history of the village, situated in the period of the Neoliticum.




The most attractive part of this village is the village itself, the construction of the houses, different heights, the way they use the caves and the stones to build their houses.



For further information: http://www.setenil.com/

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PICASSO

In 2003 the fourth Picasso museum opens its doors in Malaga, his place of birth.

The museum is composed by donations of family members and exposes one of the largest permanent Picasso collections. The Spanish press titles: ”Finally Picasso comes back home”.

Son of a teacher in Fine Arts, Picasso lived in Malaga until the age of 10.He will assist his father´s classes as early as age six and soon starts painting himself with astonishing results. The multiple pigeons ,flying up the balcony of their house, located at the Plaza de Merced, and the nearby bullring, with its struggle between men, horse and bull will be important influences throughout his career .Before ending up in Paris ,he spends part of his youth in La Coruña, Madrid and especially in Barcelona.



An important part of Picasso’s painting were claimed by the French government to pay off the artist´s heir taxes.

Picasso is considered one of the main artist in “The history of Forms”, being the creator of a nose in profile on a frontal painted face ,later known as cubism.

He is also the inventor of the Collage, a technique massively used today in all kind of different media, for example the pc programme “ photoshop”

In the 19twenties in Paris, Picasso and entourage encourage Hemmingway to go and see the bullfights in Spain, ….an advice that profoundly changed the writer’s life.



In 1936 Picasso was entitled “Honorary Director of the Prado Museum” by the republicans who Picasso openly supported. At the outbreak of the civil war, Picasso will organize the move of all important classic works of the Prado museum in Madrid to safer Valencia. The artist had spent so much time in his youth in the Prado, it had become his second home. During that same Spanish civil war, Hitler, being Franco’s ally, bombs the bask village of Gernika to test his air force in preparation of the second world war. Deeply touched and inspired by this massacre Picasso presents in 1937 “Guernica” in Paris´ world expo. From the moment the enormous canvas was first seen, it excited admiration, dislike, astonishment and controversy. It must said that, during the Paris expo, the Spanish pavilion was set up as an outcry against upcoming fascism and a warning for Europe that democracy was at stake, due to Franco and his dictatorial friends. An impressive list of artists, such as Miro, Buñuel and the by Franco recently assassinated poet Garcia Lorca presented their work. Small replicas were sold at the entrance of the pavilion to raise funds for the republican cause. Remarkable was the contribution of Hemmingway together with Dutch filmer Joris Ivens. They presented a documentary that shows the peaceful daily life of a Spanish rural village,… suddenly attacked by Franco’s fascists. Families are brutally separated, every night less villagers come back home. Entitled: ”Spanish Earth”, this document is a unique reflection of republican resistance and shows the drama and injustices of war. Orson Welles, enlisted to record the commentary, wanted to change some of the lines which he thought sounded unduly pompous. At a viewing of the film, described by Welles in "Cahiers du Cinéma," he and Hemingway got into huge arguing, going at each other with chairs and fists, as the armies fought it out on the screen in front of them. The two American heavyweights were reconciled over a bottle of whiskey, and though Welles still gets the credit in some of the early prints, it is Hemingway's flat, harsh monotone that accompanies the film. Hemingway took the republican cause so personal, that after the Paris expo, he organised parties and lectures in Hollywood to raise funds for the Republic.




The official German guidebook to the world expo incorporated Hitler´s recent pronouncements on modern art with the suggestion that visitors should pass by the pavilion of “Red” Spain. He describes “Guernica” as the dream of a madman, a melee of broken bodies, probably the work of a four year old child.

After 3 years of civil war, Franco becomes Head of State and Spain slides into 40 years of misery and dictatorship, paralysing the development of the Spanish socio-cultural life. Picasso prohibited in 1939 the exposure of Guernica in Spain while Franco is alive, saddling up the general with his first important cultural embargo.



Many left wing intellectuals and artist fled and develop their careers in neighbouring countries ,later followed by millions of Spanish emigrants, escaping poverty and censorship. The train connection between Paris and Madrid was for years a symbol of this emigration with too many stories of split up families ,lovers and friends. Today Manu Chau and lots of other musicians embody these migrations in their music.

So at the end of 1939,at the outburst of World War II Picasso sends “Guernica” to the U.S., where it will tour the country during the beginning of the forties, and soon obtain a tremendous impact as it was perceived as a sign of alarm for what was happening in Europe. In its bulletin of october1942 the New York Moma museum announced:” This is art that Hitler hates because it is modern, progressive, challenging; because it is international, leading to understanding and tolerance among nations; because it is free, the free expression of free men.”

Meanwhile back in Paris , Picasso´s studio is frequently controlled by the Nazi’s, who suspected him for collaboration with the Jews. On one of these searches, a German officer had recognized a print of “Guernica”, pinned to the wall and asked him :”Did you do that?” Picasso coldly replied :”No, you did”



With the liberation of Paris in 1945 Picasso becomes universally known. Far more than a great painter, he turns into a popular symbol of liberty and an emblem of intellectual resistance against fascism. His studio becomes literally the centre of a cultural pilgrimage .The artist joked to a friend: ”Paris is liberated, but me, I was and remain besieged”. When critics asked him why, between the horror and anger in the “Guernica” painting, the white dove appears,he answers, fed up with questions on symbolism behind his oeuvre,: “I think it is a chicken”. Despite the artists´ cynicism, this dove of peace became a world wide symbol for the communist party and for peace in general.

In Spain in the fifties and sixties, contraband copies of Guernica hung above many Spanish dining tables as a memorial to the lives and hopes that were destroyed in the civil war. When the feared guardia civil searched houses, they would automatically tear down the copy and people even risked jail.

In the late sixties Guernica becomes a favourite backdrop for anti-Vietnam War demonstrations and Picasso receives hundreds of letters of American artists who suggest that because of U.S. atrocities in Asia, he ought to take Guernica home. Picasso refused because he still wouldn’t trust general Franco, and unfortunately Franco will outlive the artist. When after Franco’s dead, negotiations between the Moma museum and new Spanish government began ,the question raised where Guernica would be exposed?



The Basks were convinced it should come back to Gernika or nearby Bilbao, Catalans
wanted it for its Picasso museum, Malaga because it was his place of birth and Madrid said it should reside in the Prado. After intense political discussions and national polls, it was the capital Madrid that won this dramatic political battle .Most probably, due to this polemic, Bilbao would obtain years later the contract for the installation of The Guggenheim. Guernica touches Spanish soil for the first time in 1981 with the minister of culture emotionally stating: ”Finally, the last refugee is back”.

Dali, on the contrary, openly supported Franco’s regime, even more by painting Franco’s granddaughter as a personal present for the family .Dali and Picasso had met in Paris in the early twenties, Picasso would later say: He was like a son to me ,a shame “circumstances” have separated us. Drawing a portrait of Picasso, Dali goes into direct confrontation , signing it with: ”Picasso is a communist, me neither…”.He will repeat this slogan in a lecture in Madrid in 1951.When Picasso hears about this he responds: ”Absolutely genius”. Although his artistic respect, Picasso would refuse to meet again an insisting Dali ,who would then send all kind of strange postcards to Picasso´s home in the south of France. Strangely enough, once democracy installed, Dali was never asked for his support of general Franco´s regime, covering himself with the status of a living myth.




Picasso was called “The bullfighter of painting” because the bull and the horse, classic figures of the “corrida” are present in all of his artistic outings. Lorca had described the bullfights as a direct and courageous confrontation with dead that the human spirit truly could soar ,and in which great art could be born,….el duende.


In the thirties a minotaur ,half man and half bull ,began to inhabit Picasso’s work. This creature seemed to fuse for the artist the base with the divine, the spiritual with the erotic and perhaps even love with hate. To bullfighter Luis Miguel Dominguin, who was a close friend of Picasso ,the painter once said: If it wasn’t for Franco, I would be your tour manager and follow you to all the corridas. This friendship was sealed with the publication of a book :”Bulls and Bullfighters”, a compilation of paintings and personal stories. At the end of the fifties, with sold out arenas everywhere, Dominguin was the biggest rival of Antonio Ordoñez, founder of the famous Goyescas in Ronda Their confrontations were written down by Hemmingway for the American magazine, Life, one of the most important magazines of those times. Unfortunately Picasso could not be present on these legendary afternoons, but witnesses tell that at the age of 92,just before dying in 1973, Picasso was seen passionately fighting an invisible bull with his bath towel, intensively shouting Ole,Ole,Ole



His close friend Miro, will make a Picasso homage ,in form of a public stamp, at the celebration of his centenary in 1981.Thousands of Spaniards will seal their cards and letters with this stamp, exploring again, freedom of speech in a new democracy, something both artist fought for since the Paris expo in 1937.

Twenty years after the publishing of this stamp in 2001, a giant work of Miro, that adorned the entrance of the New York Twin Towers, came down with the destruction of the towers, sadly remembering the warning the artist launched more than sixty years before. Fellow Picasso had told us: “Wars start and end ,but hostilities endure.”


For more info: http://www.andaluciapersonal.com/

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Trudis Shop reopens



After moving from the old town (La Ciudad) in Ronda, Wim and Gertrude from Belgium are reopening their Arts & Giftshop TRUDIS again in front of the Church of Padre Jesus near the old bridge and the Fountain "Ocho Caños".



The first week of May our doors will be open again and Trudis will be making more original handmade necklaces, rings, handbangs, felted soaps, mobile hangers etc. in her workshop at Calle Sante Cecilia nº90.



There will also be other handcrafted products from the Serrania de Ronda.



Flamenco music and flamenco videos will be available together with the Putumayo World Music Collection. An ideal and original gift.





Also offering English Books on subjects like walking, cooking and gardening.

Trudis & Wim hope to see you soon!

TRUDIS website & webshop:

http://shop.trudis.es/index.php/jewelry/ringen

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ANTONIO ORDOÑEZ RONDA

Antonio Ordoñez was the son of Cayetano Ordóñez, called “Niño de la Palma,” who was the prototype for Pedro Romero. was one of Spain's most famous bullfighters .



Born in Ronda in 1932, he made his first public appearance as a bullfighter in 1948 and in 1951, aged 19, he appeared in the bullring in Madrid. In the glittering career which followed, Ordoñez came face to face with over 1000 bulls. He finally retired in 1968, having fought over 60 bullfights in that year alone.



His father was "El Niño de la Palma", also a well-known bullfighter. He fought in Pamplona in the 1920s where he met Ernest Hemingway, who had developed a great interest in bullfighting. Antonio knew Hemingway as a boy and called him 'Father Ernest'.

Antonio virtually retired in 1968 and turned to bull breeding on his estate near Ronda.



Ordóñez met a number of writers and actors, and he also starred in a few films. Antonio was a long time friend with Ernest Hemingway, whom he called Father Earnest. He also befriended Hollywood movie star Orson Welles, whose ashes were buried on Ordóñez's estate after his death.



Antonio Ordoñez died in Sevilla in 1998. His ashes were scattered on his beloved estate near Ronda.



Outside the Plaza de Toros of Ronda there are a Statues of Cayetano and Antonio Ordóñez.

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GOYESCA BULLFIGHTING IN RONDA

Now is confirmed, since the official poster of the “Corrida Goyesca of Ronda” 2008 corrida will be composed by Francisco Rivera, his brother Cayetano, Jose Maria Manzanares and Angel Perera. This corrida will take place in our enblematic bullring on Saturday September 6th 2008.




The traditional Fair and Festival of Pedro Romero has been made every year to host as many nationals and internationals visitors posible to enjoy a colorful and very special street atmosphere in our city. Throughout the whole week ,as they can observe, the whole city is turned into the street. One of the most special days is Saturday, where Ronda receive thousands of visitors to attend the Corrida Goyesca.




The history of the Corrida Goyescas begins with the centenary of the birth of the famous bullfighter Pedro Romero and in 1954 and thank’s to the influence of Cayetano Ordóñez the first Goyesca bullfight was made here in Ronda, in the bullring owned by the Royal Cavalry of Ronda.



the second run of Goyesca was not until the year 1957. It will be the first edition in which the son of Cayetano, Antonio Ordóñez participate. This Matador will become the true center of the Goyescas and in his manager. Thank’s to his work during all these years, Goyesca bullfighting are leading a party in bullfights calendar as an example of the bullfighting today, and a social and cultural event that transcends the city of Ronda.




Currently, the Corrida Goyescas takes place the first saturday during the first days of September. On Friday, September 5th is celebrated one corrida without picadors and finally on Sunday morning the Exhibition of couplings of Ronda and on the afternoon the Rejóneo bullfight (on horses).



Francisco Rivera Ordóñez is the manager of the Real Maestranza Caballerìa of Ronda, which owns the bullring.

A very important event in the bullring of Ronda was in September 2006, when the Real Maestranza manager Francisco Rivera Ordóñez Cayetano and his brother, bullfight together, causing a massive attend to the bullfight and in the town. As important was this encounter that entries have come to cost up to two thousand euros (on resale). That day, Cayetano Rivera Ordóñez took the alternative of the hands of his brother Francisco, and both ended the corrida with an emotional hug.




BIOGRAPHY

JOSE MARIA DOLLS SAMPERS

3rd OF FEBRUARY 1982

ALICANTE (SPAIN)


He made his debut in public at a festival with a calf of Indarte Gimenez. The honours to him were made by Martin Gonzalez Porras, Jose Fuentes, Jose Maria Manzanares, Enrique Ponce and Joaquin Puga.


He took the alternative on June 24th 2003 in Alicante, by the hands of Enrique Ponce, in the presence of Rivera Ordóñez. He killed a bull from Daniel Ruiz.

In the 2004 season, he attend 60 bullfighting festivals in which he cuts 52 ears.



FRANCISCO RIVERA

FRANCISCO RIVERA ORDOÑEZ

3rd OF JANUARY 1974





Son of Paquirri and Carmina Ordóñez, Francisco Rivera Ordóñez was born with the party united with his infancy. His family is his best curriculum: Antonio Ordóñez grandson, nephew of José Rivera Riverita, grandson of Domingo Dominguez and Cayetano Ordóñez,the Child of the Palma.

He belongs to one of the major Matador families of our country. Born between afternoons festival costumes and lighting. Francisco Rivera knew very young the cruel reality of the the of his fathers.
Paquirri, his father, died in Pozoblanco, broken by the horns of a bull named Avispado, a bull that changed the rivera’s lifes in late September of 1984.

Despite that tragic memory, Francisco Rivera knew that bulls, the art of capote and elegance in the arena were part of his life. he took the alternative when he was twenty-one years by the hands of Spartacus and Jesulín de Ubrique as witness.


Season after season, the young Francisco has built up a reputation of professional and serious. The bullfighting is his life ...


CAYETANO RIVERA

CAYETANO RIVERA ORDOÑEZ

13th of JANUARY 1977

MADRID




He is the second and last child of the marriage composed of the bull matador Francisco Rivera “Paquirri”, and Carmen Ordóñez.

Until recently, his professional future had no direction; he studied some business and cinema in Los Angeles. He finally ended in bullfighting. First novillero and finally on September 10th 2006, at the age of 29 years-old, he took the alternative in the bullring of Ronda to become one of the most famous bullfighter.

ANGEL PERERA



MIGUEL ANGEL PERERA
27th of Noviemver 1983
Puebla del Prior (Badajoz)

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CONVENT OF SANTO DOMINGO RONDA




The Congres and Exhibition Centre, both are emplaced in the historical Convent of Santo Domingo in Ronda, in the heart of the historical Old-Town, just at the end of the bridge over the george. It is a unique site, for its historical symbolism and its views all over the highlands of this area.

Convent of Santo Domingo offers the opportunity to visit every month some exhibitions. Now, from the 16th of May untill 15th of June 2008, the visitors of the convent can be delighted by an exhibition called “Pinturas de Ronda”. This exhibition is from an austrian painter named Enrique Greissing, who lives in Ronda since 1998.

The times for the visits are:
From 11:00 till 14:00 and 17:00 till 20:00.

The Convent now has a new project, it has been restored and prepared as a centre for convetions, meetings, shows and exhibitions. The advanced and ambitious installations of the new convent preserve the serenity and peacefulness of the antique monastery, giving place to relaxation, concentration and working atmosphere.

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Rent-a-Car in Ronda




Ford Auto Ronda offers you the possibility of hiring a large variety of cars, vans and 4x4.



Ford Auto Ronda have a free pick-up service. Prices range from 45 euros per day in small vehicles such as the Ford Ka, to a 120Euros for the Ford Transit Isotherm vans . These prices are decreasing in rents of more than one day.




Insurance:

To obtain full insurance, the customer must arrange an additional price, depending on the type of vehicle rented.

Requirements:

Credit card and 2 years of driving licence.

NOT included in the price:

Petrol, crane, punctures, stays in garages, breakdowns due to negligence of the driver, as well as any parking tickets, speed limit tickets etc...

Taxes:

16% VAT on the total bill.
Petrol:

Without Lead / diesel

** ask for prices long periods.

For more information

Rent a Car FORD Auto Ronda.
Poligono Industrial “El Fuerte”
C/ Genal 20
952 87 90 97

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THE ARCHWAY OF PHILIP V RONDA

This probably subtitued an earlier gateway from the Muslim period. The original gateway disappeared and this new one was contructed in the place kown as the Sillon del Moro (the Moor´s Armchair) thanks to a text engraved on a stone plaque found today close to the archway, but originally situated in the upper part of the construction, we know that it was built in 1742.



It consits of and archway of masonry with a trapezoidal top part finished with a small, curved fronton with a shield in the centre of one its two faces. It is topped with four pinnacles.

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MONDRAGON PALACE RONDA

The Palace of Mondragon, also known as Palace of the Marquis of Villasierra, is a wonderfull building regarding its architectonical aspects, and witout any kind of doubts, is the most significant civil monument of Ronda

The legend tells that it was formerly home of the great king Abel Malik or Abomelic, son of the Morroco´s sultan Abul Asan. Few years later after the death of Abomelic, the kingdom of Ronda was dependent on the Kingdom of Granada, and it is also known the the last arab governor Hamet el Zegri lived also at this palace.

The entrance courtyard belongs to the Gothic style, with stone columns at each side of the door with chapitels with a different use as its original, holding up wooden bases which leads to the intermediate stage, where the different museum rooms are located.



The entrance courtyard is very nice, with a gallery at each of its sides, containing semicircular arches, with brick decoration at its basis and top, over columns with Corinthian base and chapitel of the Renaissance style of great quality. Similar to this courtyard was a built at Sevillle the Patio de Levies, which at the moment has been rebuilt as gallery at the Reales Alcazares.

In the 18th century was built the exterior side of the farcade, with an important masonry and double columns over a Dorian base and lonic pillaster chapitel, being the top one pediment broken at its midle point in order to put inside one third decorative order consisting of pirs of Corinthian columns. All that decoration of the 18th Century is shown at the ground floor adding also the halt and the formerly stables.

It is also remarkable the noble room of the palace with a wonderful mudejar coffered ceiling.

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COLLEGIATE CHURCH OF SANTA MARIA LA MAYOR

Once Ronda had ben conquered, the main mosque was slowly converted into a Christian Church.
Originally this church had the status of an abbey with a special, almost bishopric, jurisdiction. During the rein of the House of Austrian it became a collegiate church and in the 19th century was converted into a High Parish.

The building has a cathedral-loke fell to it. It is built of masonry and was contructed in two phases; the Gothic part, which must have been undertaken very early and coincides with the shape of the former mosque, and the enlargement of the northern pasrt, begun after the earthquake of 1580 and which would take up until the 18th Century, displaying a mixture of styles ranging from Renaissance up to baroque.



Some remains of the Mirhab of the Muslim building have survived, as well as a large part of its original shape, dating from between the 13th and 14th Centuries. It is interesting to note the North African influences that can be seen in these remains.

The main façade opens into the square, with superimposed verandas that served as boxes from which the festivities that were often celebrated there could be observed

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THE ARAB BATHS RONDA

These baths are situated in the old quarter or the quarter of the tanneries, dating from the Islamic period, and later called San Miguel. Its location in an eminetly artisan zone is due to the close proximity of the Arroyo Las Culebras (the snake stream) which provided the baths with water, while at the same time marking the boundary of the quarter´s south east side.

Owing to their size, it is likely that these were the principal baths in the Morrish city. The enclosure was protected by a wall of mortar and masonry. The baths were provided with water by a watherwhell and a small aqueduct. The heating system, in turn, followed the basic lines of that employed in the times of the Romans, except that the latter used steam in place of body –deep pools.




The structure of the building is typically Moorish. Made of brick, it has a central chamber divided into three galleries with horseshoe arches and a mixture of vaults and cupulas, and two smaller chambers located at each end, covered also with vaults. The three chambers, which were designated as warm, hot and cold, received light through a number of star-shapped roof openings.

Before these chambers there was an area for changing-rooms and the various services provides for an installation of this type, for which it was situated close to the main entrance. The woodshed and bolier or heating- rooms was situated on the opposite side, at the back of the building.

The baths were constructed between the 13th and 14th centuries and the bwest conserved in the entired Iberian Peninsula.

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THE OLD BRIDGE RONDA

This was the second of the city ´s bridges up until the construction of the New Bridge in the 18th Century, thus its current name.

It was built in the 16th Century and not in the Morrish perio, during which it was misleadingly called the “Roman Bridge”, although it could have originated then. The construction of the Old Bridge was motivated by similar reasons as the latest of the three, that is to say, to join the old Morrish settlement with the new quarter that had grown up around the Small Marketplace and that is now known as Padre Jesus, after the conquering of the city.



It is a single arch bridge made double brick rings. Nevertheless, and according to remains that can still be obseved today close to its foundations, it seems likely that an earlier bridge was contructed at that same period.

The balconies adording it today, as well at its parapet, are the result of its last restoration, wich took place ´60s of the last century.

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THE NEW BRIDGE RONDA

This bridge was constructed in the second half of the 18th Century. There was a first project undertaken in 1735 but that one collapsed only six years after its contruction. The new bridge was started towards 1751 with work being finished in 1973. the project was directed in its final stages by Jose Martin Aldehuela, an architect from Aragón. With this magnum opus he managed to unite the city with the market-place over the deppest part of the Tajo.

Its foundations are sunk into the rock at the bottom of the gorge and its structure of stone mansory widens as it rises, following the contours of the rock walls, forming a wedge that fills the entire gap.




Its first , or lowest, section, that serves as a base with its corresponding facia, consits of an arch above which rises another arch three times greater in height. On top of this begins a third section, of much greater width, that is divided into three parts of which the central one is closed, being occupied by a vaulted chamber boasting a balcony on each side of the bridge. In the present day this chamber is occupied by an information centre giving details of the bridge´s construction.

The sides of this chamber are occupied by two arches supporting the street-crossing. Its sides are closed by parapet wallof the same stone mansory, with eight apertures and balconies.

This is, without doubt, the true symbol of the city of Ronda.

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ASCARI RACE RESORT

The History of Ascari is rooted in motor racing heritage; Inspired and named after Alberto Ascari (1918 - 1955) who was the first double world Formula 1 champion.

Born in Milan, Italy, Alberto had racing in his blood, as his father Antonio Ascari was a talented Grand Prix racing driver in the 1920's racing in Alfa Romeos.



Ascari Cars was established in Dorset, England in 1995. A dedicated team of race professionals set out to develop their first limited-edition super car, the Ascari Ecosse, which was launched in 1998.

Envisioning a new kind of brand concept, AscariRaceResort was created to give a feeling of freedom in which the race and "relax duality" of life is integrated into a personal, exclusive and exciting experience.



In 2000 Ascari built a new facility in Banbury, to develop their second car, the Ascari KZ1, and to house Team Ascari's racing assets. For the first time the road-and-race side of the Ascari group came together in one place under one roof.

The Banbury factory highlights the Ascari philosophy, with modern state of the art production facilities housing all that is required to create a definitive world-class supercar.

To complete the Ascari experience, in 2000 Ascari began to develop the first Race Resort in the world.

Situated in a beautiful secluded valley in the south of Spain, visitors can experience a totally new concept, where both high-speed adrenalin and luxurious relaxation are on offer at a modern race circuit.




From Málaga
Take the road signed to Campillos/Ardales. Shortly after passing the village of Ardales, take the left hand turn signposted to Ronda. After a few kilometers you will reach a T-Junction where you should turn left. keep going through the village of Cuevas de Becerro until just before the 10km mark. Turn left into the Resort signposted "Ascari".

From Marbella
Leave Marbella heading west towards San Pedro de Alcántara and then take the road signposted to Ronda. At the roundabout to the south of Ronda, take the ring-road. At the next traffic-light controlled junction take the road signed to Campillos. Ascari is located on the right hand side just after the 10km mark.



AscariRaceResort
Carretera de Campillos,km 10
29400 Ronda
Spain

Tel: +34 95 218 71 71
Fax:+34 95 219 01 00

Email: info@ascariraceresort.com
Ascari Cars
Ascari House
Overthorpe Road
Banbury
0X16 4PN
Oxon
United Kingdom

Tel: +44 (0) 1295 254 800
Fax:+44 (0) 1295 255 944

Email: info@ascari.co.uk

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WINERY IN RONDA

There is a winery museum that offers you the opportunity to know, to smell and to savour a tradition in Ronda that has at least 6000 years of history.



That museum offers you a variety of services:

-Museum

-Trying school of wine

-"Enologicos" Weekends

-Sales of wines

-Winery Reception, Degustation and Promotion of Wines and Winerys.



Prices:

-Tickets museum with a degustation : 3 €uros

-Tickets museum with 4 degustation (designation origin, control board, red wine of Ronda) : 10 €uros

-Tickets museum with 5 degustations: Traditional Andalusian wines (designation origin, control board, saws of Malaga Wine): 6 €uros


For more info: http://www.museodelvinoderonda.com/

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RONDA WINERY VISITS

Exit programmed in minibus.

Location : Plaza de España (New Bridge)

1º Exit: in minibus
Timetables of exit: 11:00 h
Arrival to the winery

2º Exit: in minibus
Timetables of exit: 12:45 h
Exit from the winery.

The visit take 1h and 15 minutes

PRICE: 10 €uros per person, incluiding wine tasting and Spanish ham

More info: http://www.enfrentearte.com/

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BIRD TOURS

SPANISH NATURE

Birding heaven, southern Spain and North Africa including neighbouring Morocco: From the timestones peaks of the Sierra Nevada, to the stunning beauty of La Serrania de Ronda and Sierra de Grazalema down through sierras to the Strait of Gibraltar and the famous Doñana, we tour the best possible areas of Southern Spain! Such diversity of habitats never falls to produce the best birding possible. Local guides with local knowledge offer you the verry best value for birding hot spots and of course your pocket.



Who is Spanish Nature ??

1 - The slogan of Spanish Nature is “travelling together as friends”.

2 - We (two men in their old fifties) have chosen this slogan because, we want to do bird watching trips ( more as a hobby than for a living), and share the pleasure it gives us with our clients.

3 - We want our clients to feel comfortable during every moment of our tours because we also want to feel comfortable!!
that’s why we like to take it easy, enjoying the quality in all our details such as accomodation, food, transport and guiding knowledge.

4 - Even the price of the trip is a comfortable one, not based on huge profits, but enough to pay for all the costs and to
cover initial expenses, just compare our costs and accomodation with anyone else!!



Our guides and leaders are selected not only for their field-craft, but also fr their ability to interpret the wildlife to expert and beginner alike. Their passion and enthusiasm for the subject of the tour will help you get the best from your holiday with Spanish Nature.

Our Company catchphrase “Travelling together as friends” is not just another play of words; we believe it to be true !!!

SPANISH SPECTACULAR

The very best that Spain has to offer and at a pace you can enjoy. From the mountains areas of Ronda and Grazalema to the Doñana, ensures as diverrse a list of species as anyone could wish.


For more information you can contact us:

By phone: 00 34 616 891 359
E-mail : info@spanishbirds.com
Website : www.spanishnature.com

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RONDA BIRD TOURS



SPANISH NATURE

Birding heaven, southern Spain and North Africa including neighbouring Morocco: From the timestones peaks of the Sierra Nevada, to the stunning beauty of La Serrania de Ronda and Sierra de Grazalema down through sierras to the Strait of Gibraltar and the famous Doñana, we tour the best possible areas of Southern Spain! Such diversity of habitats never falls to produce the best birding possible. Local guides with local knowledge offer you the verry best value for birding hot spots and of course your pocket.


Who is Spanish Nature ??

1 - The slogan of Spanish Nature is “travelling together as friends”.

2 - We (two men in their old fifties) have chosen this slogan because, we want to do bird watching trips ( more as a hobby than for a living), and share the pleasure it gives us with our clients.


3 - We want our clients to feel comfortable during every moment of our tours because we also want to feel comfortable!!
that’s why we like to take it easy, enjoying the quality in all our details such as accomodation, food, transport and guiding knowledge.


4 - Even the price of the trip is a comfortable one, not based on huge profits, but enough to pay for all the costs and to
cover initial expenses, just compare our costs and accomodation with anyone else!!



Our guides and leaders are selected not only for their field-craft, but also fr their ability to interpret the wildlife to expert and beginner alike. Their passion and enthusiasm for the subject of the tour will help you get the best from your holiday with Spanish Nature.

Our Company catchphrase “Travelling together as friends” is not just another play of words; we believe it to be true !!!

SPANISH SPECTACULAR

The very best that Spain has to offer and at a pace you can enjoy. From the mountains areas of Ronda and Grazalema to the Doñana, ensures as diverrse a list of species as anyone could wish for.

MOROCCAN SAFARIS

Fantastic adventure, birding and scenery in this exotic african country. From the high Atlas mountains we travel south into stone and sand deserts of the Sahara..


For more information you can contact us:

By phone: 00 34 616 891 359
E-mail : info@spanishbirds.com
Website : http://www.spanishnature.com/

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EL TORCAL DE ANTEQUERA

The El Torcal Nature Reserve is located in Antequera and is the most impressive & beautiful karstic landscape in Europe. Antequera is very near to Ronda, just 45 minutes.





Its fantasy-like rock formations cover an area of 12 square kilometres. This impressive limestone complex was thrust upward from the bed of the sea about 150 million years ago as the result of geological folding.



Three routes through the park have been marked out for walkers with different coloured arrows on wooden sticks. The green route is the shortest and easiest, 1.5 km. and takes about 30 minutes. The yellow route covers most of the green area, is 2.5 km. long and takes you to "Las Ventanillas" The Windows, at 1.200 m. for panoramic views of the valley of Málaga. Finally the red route is the longest and most difficult, 4.5 km. taking about three hours, with a viewing point 1.339 m. up where you can see the whole of the El Torcal Park and the Africa Coastline.



If you are thinking to have a holiday in Andalucia, you´ll need go and visit this fantastic area the El Torcal de Antequera.

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ACINIPO ROMANS RUINS IN RONDA


The archaeological site of Acinipo is located over one big limestone hill of a tertiary origin, having a middle height of 999 mts. over the sea's surface. This rise at the depression of Ronda gave it an important strategic value, which was specially considered at the preroman age when the human settlement had to be stablished.

Acinipo is one of the settlements whose name appears for the first time in a classical text, as the ones written by Ptolomeo or Plinio. This site has been paid attention by lots of investigators. The first news about it appear soon, in the 16th century with Lorenzo de Padilla, being Fariña del Corral, in 1650, the first who identified the theater as belonging to the Roman age.



Although most of the visible rests belong to the Roman age, we do not have to forget the important prehistoric rests of this city. The oldest findings belong to the Neolithic period, and these found remains continue through the Ages of Copper and Bronze. It is at this prehistoric age and with the importance of the Phoenician colonies that Acinipo will rise and become its importance, which will arrive to its highpoint at the Roman age, being preceded by the Iberian phase.

Open all year. From Tuesday till Sunday.

Free entrance.

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PILETA´S CAVE IN RONDA

The Pileta Cave, is located at Benaojan a town very near from Ronda. Discovered in 1905, it was declared National Monument in 1924. It contains an important number of cave's paintings representing goats, horses, cervids, bovids, among them, the most important are the ones called "The pregnant mare" and "The fish".



The conserved remains belonging to the Paleolithic show an important work by the side of the hunting and farmer human groups. The most important characteristic of these groups is the fact of changing the places where they live depending on the possibilities of surviving, specially concerning the hunting activity. At all these settlements there have been found tools and rest of them with a well defined Mustherian typology.

This cave was not only a place to live for the human people of that age, but also a place to be buried in, as proofed with the finding of human rests at different spaces of the cave.
Last but not least, it can be said that it is the cave with the most important cave's paintings of Andalusia.

For more info: http://www.cuevadelapileta.org/

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BUS TIMETABLE RONDA




For more info: www.enfrentearte.com

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TRAIN TIMETABLES RONDA





For more info: www.renfe.es

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RONDA BULLRING



The Plaza de Toros (bullring) of the Real Maestranza is a unique listed monument and constitutes the principal tourist attraction in Ronda. Built of local sandstone the delicacy of line of the arched double gallery covering the entire public area recalls the circular patio of the Palace of Charles V in the Alhambra and gives an air more reminiscent of a cloister than a place of public spectacle.


The arena measures 66 metres in diameter, its circumference delimited by a twin stone wall ring around which runs a series of plain Tuscan columns forming some sixty arches of the public galleries which support the double roof tiled in the Moorish style. The elegance and sobriety of the interior space is unique and has been admired for over two centuries.

The ring is home to one of the most important events in the bullfighting calendar, the Corrida Goyesca (bullfight in the Goyaesque style), held in early September during the local festivities in honour of the great eighteenth-century bullfighter, Pedro Romero. The ring also hosts the annual exhibition of carriages and driving competition, attended by prize-winning collectors of horse carriages from all over Andalusia. The bullfight in Ronda has for years attracted personalities from the world of the arts. Antonio Ordóñez in particular brought to the fiesta admirers such as Orson Welles and Ernest Hemingway, joined by numerous painters, architects and creative artists.


MUSEUM


The Bullfighting Museum, placed beneath the public galleries, provides a chronological tour of the culture of the bull and the basic aspects of the bullfight, the Fiesta, its origins and links to the art of horse riding, the role of Ronda and its bullfighting dynasties headed by Pedro Romero and Antonio Ordóñez. Among the exhibits the visitor will find a splendid collection of engravings, lithographs and prints including a full set of Goya's Tauromaquia, works by Victor Adam and Lake Price; books and engravings on equestrianism, oil paintings from the 17th to 19th centuries; a collection of bullfighting costumes and other memorabilia and posters of recent bullfights, all based on original work commissioned from leading artists such as Arroyo, Barceló, Campano, Félix de Cárdenas, Darío Villalba, Pérez Villalta, Úrculo, etc.

The Royal Harness Collection of the House of Orleans comprises a complete set of harnesses, saddles and livery presented by the King of France, Louis-Phillippe d'Orléans, to his son the Duke of Montpensier. The exhibition also includes the spectacular mameluke saddles and the Turkish style saddlery (talabartería) produced in the Parisian workshops of the 19th century.
The itinerary continues with the Collection of Antique Firearms. There are some 300 pieces including originals from the armouries of Philip IV and Charles III, European pistols and rifles of the 17th, 18th and 19th centuries (flintlock, hammer, wheel and pin); other pieces from the armouries of Louis XIV, Napoleon or English monarchs; Venetian, Indian and English pistols, as well as harquebuses used in the Spanish War of Succession.

Finally, the Real Maestranza Gallery aims to show the origins of this chivalrous institution, linked to the military orders of the Middle Ages, and its role in the history of Ronda. The Gallery contains pictures, arms, uniforms, documents and other materials.
This interesting selection of historical and cultural content (tauromachy, equestrianism and chivalry, antique firearms) is only available as part of the visit to the bullring complex.

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RONDA RENT A BIKE


The rent a bike specialist in Andalucía. They offer hybrids of high quality and great TREAK mountain bikes. And of course they have beautiful tours to show you the spectacular scenery surrounding Ronda, the historic small town.

In their shop in the twon´s centre, they also sell bicycles and bike parts/accessories.

For more info: www.enfrentearte.com

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HORSE RIDING TRACKS PICADERO LA GRANJA


In picadero La Granja, you will have the opportunity of enjoying Nature through one the best lovely spots on the South of Andalucia. Furthermore you will enjoy it riding a horse, a natural, healthy and sporting way.

The horses have been selected in order to be ridden by people of any age and with out any experience in horse riding.

We offer you a several routes by the surroundings of Ronda from the way of the Viejos Molinos del Tajo (old mills) to Lourdes or Virgen de la Cabeza. In each route you are accompanied by one of our guides. Who are perfectly qualified for taming and horse riding.


They open every day of the week, holidays included.

Take advantage of this unique opportunity of enjoying Ronda on Horse Back, something you will never forget.

PRICES:

- Route 3 hours: 40 €uros
- Route 5 hours: 60 €uros
- 1 Day Route: 90 €uros /with a visit to the Cave of Pileta)
Route of 2 o more day, please consult prices.

For more information please contact us: www.enfrentearte.com

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MONUMENTS TIMETABLE AND PRICES RONDA

-LA MERCED CHURCH; Chapel of the Hand of Saint Teresa. Sell of cakes you will need tell in advance) phone: 952 87 29 65. Pasaje San Juan de Letrán

TIMETABLE:
From the 10:15 -13:15 and 16:45 -18:45


- BULLRING AND MUSEUM:
Phone: 952 87 41 32 // 952 87 15 39. C/ Virgen de la Paz nº 15. http://www.rmcr.org/

TIMETABLE: 10:00-20:00

PRICES:
Individual: 6 €
Groups (from 15 people): 5 € Schools: 4 € (less than 16 years/old).


-THE GIANT´S HOUSE. Phone: 678 63 14 45 Plaza del Gigante s/n.

TIMETABLE:
Monday to Friday.10:00-19:00
Saturday: 10:00-13:45/ 15:00-18:00
Sunday & Holidays: 10:00-15:00.


- VIRGEN DE LA PAZ CHURCH. Plaza Beato Diego. Phone: 952 87 12 89

TIMETABLES:
Monday to Sunday: 10:00 a 14:00.
Afternoon ask in the school next to the church

Free entrance
- INTERPRETATION CENTER OF THE NEW BRIDGE. Plaza de España s/n. Phone: 649 9653 38

TIMETABLE:
Monday to Friday: 10:00-19:00.
Saturday 10:00-13:45 y 15:00-18:00
Sunday & Holidays 10:00-15:00

PRICES:
Individual: 2 €.
Groups ( more than 10 people), students and retired : 1€
Children less than 14 years old, disabled people, rondeños and residents: free entrance.











-HOUSE OF D. BOSCO. Phone: 952 87 16 83. C/Tenorio nº 20

TIMETABLE: 9:00 -14:00 / 14:30 -18:30

PRECIOS/ PRICES:
Individual: 1.50 €.
Groups: 1 €.


- MONDRAGON PALACE. Local Museum. Phone: 952 87 84 50 .Plaza Mondragón s/n.

TIMETABLE:

Monday to Friday 10:00-19:00
Saturday : 10:00 -13:45 y 15:00-18:00
Sunday & Holidays: 10:00-15:00


PRICES:
Individual: 3€.
Students and retired: 1.5 € .
Groups (more than 10 people): 1€.
Children less than 14 years old, disabled people, rondeños and residents: free entrance


-SANTA MARIA´S CHURCH. Phone: 952 87 22 46. Plaza Duquesa de Parcent. http://www.colegiata.com/

TIMETABLE:
10:00-20:00. Sundays closed at lunch time.

PRICES:
Individual: 3 €.
Retired: 2 € .
Students: 1.50 €.
Groups:2 €.
Groups of retired (more than 8 people): 1, 50 €.
Rondeños and children less than 12 years/old: Free Entrance.



- ARABS BATHS. Phone: 656 95 09 37 Barrio de Padre Jesús. C/ San Miguel. •

TIMETABLE:
Monday to Friday: 10:00-19:00.
Saturday: 10:00-13:45 y 15:00-18:00
Sunday & Holidays: 10:00-15:00

PRICES:
Individual: 3 €.
Students and retired: 1.5 € .
Groups (more than 10 people): 1€.
Children less than 14 years old, disabled people, rondeños and residents: free entrance


- THE MINE AND FORESTIER´S GARDENS (Moorish King’ s House). Cuesta de Santo Domingo nº 17. [1]: 952 18 72 00

WARNING:
Underground stairs with more 200 steps. Low visibility and not easy way.

It is not advisable for people with difficulties to walk and/or cardiorespiratory disorders.

TIMETABLE:
10:00 – 18:30
PRICES:
Adults: 4 00€.
Childrens: 2.00€.

10% discount for groups.
Open everyday


-HOLY GHOST CHURCH. Phone: 952 87 49 28 C/ Espíritu Santo. Barrio de San Francisco


TIMETABLE:
Monday to Saturday: 10:00-13:30 / 16:00-19:00.

PRICES:
Individual: 1.00 €.
Groups: 0.60 €


-MOZARABIC CAVE (IX-X Century) : Road to Algeciras. 2 kms from Ronda

THIS TIMETABLE COULD CHANGE. TO CHECK IT: 952 87 08 18

PRICES:
Individual: 2 €.
Groups ( more than 10 people), students and retired: 1€
Children less than 14 years/old, disabled people, rondeños and residents: free entrance


-MUSEO LARA: Art and collection,Holy Inquisition, Witchcraft
Phone: 952 87 12 63 C/Armiñán nº29.
http://www.museolara.org/

TIMETABLE: 11:00 – 20:00

PRICES:
Individual: 4.00€.
Groups from 10 people, children, retired and rondeños: 2.00€

- HUNTING MUSEUM. Phone: 952 87 78 62 C/ Armiñán nº59
SI/YES

TIMETABLE: 11:00-18:30
PRICES:
Individual: 1.50 €
Groups: 1.20 €

-THE BANDIT MUSEUM: Phone: 952 87 77 85 C/Armiñán nº 65 http://www.museobandolero.com/

TIMETABLE:
Monday to Sunday.10:30 – 20:00

PRICES:
Individual: 3.00€ .
Disabled people, students: 2.50 €.
Groups from 10 people 2.00 €


- JOAQUIN PEINADO PAINTING MUSEUM.
e-mail: museopeinado@obrasocialunicaja.com •: 952 87 15 85 Palacio de Moctezuma. Plaza del Gigante s/n

TIMETABLE:
Monday to Saturday: 10:00-14:00/ 17:00 -19:00
Sunday and Holidays: 10:00 -14:00.

PRICES:
Individual: 3 €.
Groups more than 10 people: 1.50 €.
Students, retired and rondeños: 0.90 € * Niños menores de 10 años gratis.
Children less than 10 years/old free entrance.
Saturdays free entrance.


-WINE MUSEUM. Phone: 607 66 19 00. C/ González Campos nº 2 –B. • NO http://www.museodelvinoderonda.com/


TIMETABLE:
Monday, Wednesday, Friday, Saturday and Sunday:10:30 -20:30.

Tuesday and Thrusday: 10:30 -15:00 y 16:30 -20:30 .

PRICES:
Individual: 3€.
Groups ( from 8 people), retired, students and rondeños: 2.5€.
Children less than 10 years old :Free entrance.

WARNING: Minors must go with an adult.




- ACINPO, Roman Remains. Road to Seville .22 kms from Ronda) •NO

THIS TIMETABLE COULD CHANGE TO CHECK IT: phone: 952 18 71 19


- THE PILETA CAVE. Phone: 952 16 73 43 (In Benaoján, 22 kms from Ronda)


TIMETABLE:
10:00 -13:00 (Entrance of the last group)
16:00 -17:00 (Entrance of the last group)
The visit lasts for one hour approximately.

PRICES:
Up to 10 people: 8 € / pax.
More than 10 people: 7 € / pax
Students in organized groups: 5 €/ pax.
Children from 5 to 12 years/old: 5 €
Maximun 25 people. Abierto todos los días/ Open everyday

- LA ALGABA. Poblado Prehistórico. Ctra Algeciras Km 4.5 •NO
Only visits for groups. It is necessary to book in advance.
Phone: 952114048 / 653901043.



TOURIST BONUS FOR:

- CENTER OF INTERPRETATION OF THE NEW
BRIDGE

- THE GIANT’S HOUSE

-MONDRAGON PALACE

- ARAB BATHS


NORMAL: 7 € / PERSON
(Saving 3€)

GROUP (+10 PERSON) : 3 € / PERSON
(Saving 1€)

RETIRED/, STUDENT: 3 € / PERSON
(Saving 2 €)

UNDER 14 FREE/

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Museums in Ronda

Ronda offers various musea for visitors to discover.
Together they cover about any topic on history, art and bullfighting in Ronda.

Enfrente Arte recommends the following museums.


Lara's Museum

Located in the 18th century 'Palace of the Counts of the Conquest', in the middle of the historic city quarter, next to the Tajo of Ronda, the museum is part of an interesting series of buildings with a palace architecture.




Lara's Museum is an art and antiques museum, exhibiting one of the most important private collections of Spain. Featuring more than 2000 works classified in various great collections.
Art, archaeology, science, popular arts and tools in the world of communication come together to present a wide and varied walk through the history of Ronda.

The following galleries can be admired:
* Clocks gallery
* Weapons gallery
* Science gallery
* Romantic gallery
* Popular arts gallery
* Archaeology gallery
* Knifes collection
* Bullfighting art gallery
* Music Instruments gallery

Museum Lara recently opened due to the private initiative of its promoter, Juan Lara Jurado, who has achieved to restore the noble identity and artistic magnificience of the Counts of the Conquest of the Batans Islands' Palace.
This was a former residence of some members of the Spanish Royal Family during their visits to Ronda.

Located at the Armiñan Street
Tel: 952871263
museolara.org - spanish only !!

The Bandits Museum - Bandoleros in Ronda

This is the only museum about bandoleros in Spain.
It tells the story of the Romantic Age of the Bandits
and shows the history of this social phenomenon.
The museum presents a tour of documents, pictures, personal details and events happened to the bandoleros who lived in the Serrania de Ronda.

The museum consists of four galleries:
* Gallery of the Romantic Travellers.

*Exhibition of paintings and historical documents
( like birth and death certificates, edicts, royal laws, ... )

*Gallery 'Living the Bandits world'.
( It consists of dioramas, pictures, weapons, money and coins, official stamps, paintings, ... )

*Gallery 'The Men and the Names'.
( It is dedicated to the better known bandoleros still remembered : Diego Corrientes, José María El Tempranillo, el Tragabuches, ... )

*Gallery 'The ones who followed the trace'.
( Special mention to the Guardia Civil , a police force specialized in the fight against bandits. It shows their clothes, pictures, documents, ... )

Located at the Armiñan Street
Tel: 952 87 77 85.
museobandolero.com - spanish only !!

Bullfighting Museum Ronda

Located in the bullring - Plaza de Toros

Authentic tour through the history of bullfighting and the bullfighting festivities that took place in the bullring of Ronda.

Ronda’s bullring, the forerunner and oldest of the five Maestranza bullrings, was inaugurated in 1785, under the auspices of the Maestranza ('Royal Cavalry Order of Ronda', an equestrian society responsible for the military and equestrian training of the aristocracy) and is considered the cathedral of bullfighting.
The objective of this museum is to offer information about the 'Maestranza', its influence on the development and evolution of the art of bullfighting and the place it occupies in the history of both bullfighting and Ronda.

The public exhibition area offers :
* works, editions and documents related to the Royal Cavalry Order
* a collection of writings concerning horse riding
* a sellection of Goya's bulfighting paintings, and, in addition to them, comments about bullfighting at the romantic age written by foreign authors interested in it.

Contents:
* The knight's bullfighting
* The bull at the universal culture
* Popular bullfighting
* Modern bullfighting
* Ronda's bullfighters dinasties: The Romeros and the Ordoñez

Nowadays the goyesca costume bullfights are the highlight of the Pedro Romero Fair that takes place each year at the beginning of September in the Ronda bullring. Organised by Francisco Rivera Ordóñez, in imitation of his grandfather as the impresario of the Ronda ring, the fair also includes a traditional bullfight with lances (rejones) and a bullfight without picadors for the pupils of schools of bullfighting.
An exhibition of carriages, organised by the Royal Club of Carriages of Andalusia, Ronda Town Council and the Real Maestranza de Caballería of Ronda, is the wonderful final touch of the festivities held annually in the Ronda bullring.

Ronda's impressive stone-built and deliberately neo-classical bullring was completed in 1784, twenty years too late for the founder of the corrida's most celebrated dynasty, Francisco Romero, who had died in 1763, but just in time for his already legendary grandson, Pedro, who was thirty years old and in his prime. He would become synonymous with Ronda, its romance and its myths, and the ring in which his legend was forged would outlive all of its ephemeral predecessors to become the most venerable symbol of Spain's peculiar and controversial art.

Romero himself became so famous that a distinctive uniform was designed for him by Spain's greatest living artist, Goya. This is still worn in special commemorative corridas, and the annual corrida goyesca in Ronda, held in early September, which includes a competition for the most decorative horse-drawn carriages and a flamenco festival.

In the 20th century Ronda produced a second dynasty of bullfighters, the Ordonez family, further contributing to the history of bullfighting. The two main figures were Cayetano Ordoñez (1904-1961) and his son Antonio (1932-1998). Their particular approach to bullfighting caught the attention of Ernest Hemingway who dedicated his works 'Fiesta' and 'Death in the Afternoon' to them.
Plaza de Toros Museum Ronda

Museum of Ronda

Located at the Mondragon Palace.

This Mudejar-style palace, dating from the early fourteenth century, has been completely restored and now houses the municipal museum and conference centre, and is the headquarters for the Spanish courses organised by the University of Malaga during the summer. Its position, crowning a rocky outcrop, converts the whole of Ronda It was the home of the ill-fated Hamet el Zegri, Ronda's last Moorish governor, though he might not recognise it today. It has undergone major changes and additions over the years, the first ordered by the catholic monarchs, Ferdinand and Isabella, who stayed there during the 1490s. The present garden is a later addition, and the front gallery is modern. More significantly, the entire outer building surrounding the inner courtyards (where el Zegri would certainly still feel at home) dates only from the 18th Century. That facade is still genuinely impressive. Two small towers flank a superb doorway through which visitors pass to gain entrance to a building which, centuries after Hamet el Zegri left it for the last time still speaks proudly of a vanished glory. This amazing palace is an architectural jewel from 18th century,known also as Palace of the Marquis of Villasierra. It is a magnificient building, probably Ronda's most significative civil building.

The museum's 'Exposition Area', containing Ronda's most representative cultural assets, hosts 3 sections :

* Historical Section
It shows the richness, variety and historical significance of Ronda's archaeological patrimony, like a witness of Ronda's ancient and recent past.
This section consists of the following galleries:
* the Cave World
* the Megalithic World
* Monography about Acinipo
* the funerary Roman World
* Ancient Ronda
* the funerary Arab World
* the city's evolution as geographycal and historical space
* Ronda in the 19th century.

* Ethnography Section
This section shows examples of Ronda's most representative ethnographic patrimony, authentic popular creations and sign of our own identity. It shows a dynamic and live representation, offering various sensations.The ethnography section consists of five galleries, being remarkable the world of the corks work, the still, the traditional cheese production, the kitchen, as well as a space dedicated to the pig's slaughter and to the saddlery work, that means, to different economic aspects concerning the traditional region's production, transformation and consum.

Inside the museum four different zones can be distinguished, according to the aim and function :
* Exposition area,
* Investigation area
* Storage area
* Services area

The exposition's area consists of different galleries forming each one the different museum's sections. The three sections . Environment Section This section tries to offer to the visitors an outlook to Ronda's environment and the different aspects it consists of. In that way, the different natural spaces existing in the region (Natural Park of Sierra de las Nieves, Natural Park of Los Alcornocales and Natural Park of Grazalema) are the basical assets of this section. The rest of the areas are places where the techical, investigation, storage and own museum services matters are worked, as a normal aspect of one institution of this kind. Restoration workshop, pedagogical bureau, shops, bar, gardens, experiments room, multiple use room, library, movie room, etc.

Museum of Joaquín Peinado

Placed in the Palace of Moztezuma. Civil building where there is exhibited an important collection (drawings and oils) of the painter from Ronda Joaquín peinado, Distinguished member from the Spanish School of Paris. Ronda 1898- Paris. The museum of Peinado is located at the Palace of Moctezuma, at the Giant's square, inside the historic city quarter. The palace where the museum is located was built at the end ot the 19th century, with an eclectic style. Remarkable places of the palace are the two courtyards inside it. One of them has got a classic look, with a lintel based ond Toscan columns over high bull's stone pedestals. The other one has got a fine roof hold by fine columns made of the same material. Joaquín Peinado was born in Ronda 1898. He was a follower of Cèzanne and considered to be a spiritual son of Picasso, being the most elegant painters of the 'spanish school' of Paris. He died in Paris 1975. The different creative periods of the painter, from 1923, when he moved to Paris, since 1974, few months before his death, can be observed walking through the rooms of this museum, where more than 190 paintings can be seen. Under them can be admired some since our days unknown drawings, which can be seen at this museum for the first time, and which come from the painter's private folders. This drawings came with Peinado all his life long. Other important pieces are his oil, watercolor and wax paintings and graphic works. Paintings like 'Still life with pears', 'Figure with a dove', 'The fruit bowl' and 'a female nude', have got an important place under Peinados's work, beside his collection of sea paintings. Joaquin Peinado, born in 1898, a contemporary of Cezanne and Picasso. Less known than the two great Impressionists, Peinado, a painter of vision and clarity, nevertheless today retains an impressive reputation in the art world.

Arab Baths

It is a lovely walk down through the old town, passing under the arch of Felipe V, to the best preserved 'hammam' or public baths in Andalusia. At dawn from Puente Vieja, the sight of the roman Bridge and the Arab baths show how little the surroundings have changed since the reconquest in this part of Ronda Definitely worth a visit, this is a fascinating remnant of Ronda's Moorish past. It has wonderful star shaped windows and octagonal brick columns and although in ruins, there is a refurbishment being undertaken This thermal building of the arab time is the best conserved of its kind at the Iberian Peninsula. It is located at the old arab quarter of the city, today called San Miguel Quarter, being the formerly outside quarter of the arab medina (city) of Ronda.The bahts were built near the Arroyo de las Culebras (snakes' stream), a perfect place in order to be provided of water, which was moved by a waterwheel, in an current perfect conservation state. The chronology of the Ronda arab bahts starts at the 13th-14th centuries. The baths are divided into three main zones, following the Roman model of thermal buildings:cold water, warm water and hot water bathrooms. The hydraulic system of the thermal bath has arrived to our days almost complete.

Hunting Museum

It shows part of the wild hunting fauna of serrania de Ronda as well as other different animal species coming from other continents. Building of 18th century. Tel: 952 87 78 62

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WHITE VILLAGES: Cadiz, Zahara and Grazalema

Cadiz, Zahara de la Sierra, Sierra de Grazalema

Cádiz

Cádiz is the most southern province of the Iberian Peninsula.
It is extremely rich in natural beauty and some of the most important Natural Parks of Spain and Europe are found here:
Sierra de Grazalema and los Alcoronocales.
Both are rich in flora and fauna, including species under threat of exinction.
Many birds find here their resting and feeding place just after or before making the jump from or to Africa.
There is a wide range of options for hiking and other activities for nature-lovers.

Grazalema

Grazalema is located in the southwestern part of Sevilla, in the hydrographic complex of Cádiz. It is also situated in the extreme western side of the ‘Beticas’ mountain chains in the ‘Serranía de Grazalema’ comprising the Pinar, Zafalgar, Monte Prieto and Margarita’s mountains. It consists of a massif karstic limestone with closed river basins, headstreams of the Guadalete and Majacete’s Rivers and tributaries of the Guadiaro. It also comprises a mountain lagoon called ‘Laguna del Perezoso’. The relief is very complicated and abrupt, comprising very jagged crests and cavernous karstic plateau, with precipitous edges. The Sierra, the highest in the province of Cádiz, stands like a great spur overlooking the whole territory. The biosphere reserve contains a wealth of floral diversity, with some 700 species of vascular plants catalogued to date. Eighteen higher vegetation types have been found including evergreen sclerophyllous forests, woodlands and scrub. The core area comprises 300 hectares of Spanish fir (Abies pinsapo) forest, including carob tree woods, pine and fir woods. More than 8,000 inhabitants (2001) live in the biosphere reserve. In the low zones, cattle and sheep are allowed to graze with some restrictions. After nine years of protection, the Grazalema pine forest is rapidly evolving towards a state of equilibrium. An initiative to restock the karst-like deteriorated hills with standing shrubs and luxuriant creepers is being developed

Grazalema is the highest, most mountainous municipality in Cadiz, as well as the one that registers the most rainfall in the whole Peninsula. The entire township is part of the Sierra de Grazalema Nature Reserve.
The city centre has Roman and Muslim remains, and is one of the best examples of the so-called "white Andalusian towns". The Roman fountain, the Baroque church of Nuestra Señora de la Aurora (18th century), and the parish of Encarnación (17th-19th centuries) are a few examples of its monumental heritage.
Grazalema looks like a near hilltop village even from quite close but it doesn’t take long there to realise that there’s a lot of hill above you.
Grazalema is an outstanding spring destination for the naturalist. Quite apart from the diversity of birds to be seen in this corner of Spain - ranging from Greater Flamingo to Griffon Vulture and Purple Gallinule to Blue Rock Thrush - Grazalema's flora is outstanding, rich in spring monocots and including many attractive species which are confined to the Iberian peninsula.

Flora :

The finest Spanish pine grove in the country, a vegetational relic of the tertiary period, a veritable living fossil which only grows at altitudes of over 1,000 metres, is to be found in what is known as the Sierra del Pinar (Pine Grove Mountain Range). The rest of the Park’s vegetation, clearly Mediterranean in type, includes large areas of holm-oak woods. Cork oak, gall oak and pine groves are also to be found. Carob trees, wild olives and barberries also feature, along with riverside woods and thick scrub.

Fauna :

One of the largest nesting colonies of tawny vultures in Europe is to be found here. Several species of eagle can be seen: the golden eagle, Hieraetus fasciatus, Aquila heliaca, Hieratus pennatus and Circaetus gallicus.
Other birds such as the goshawk and the Egyptian vulture also inhabit the Park.
One of Europe’s largest bat colonies can be found here.
Mammals include genets, wild boar, stags and deer.

Walking in Grazalema
There is a road that bypasses the village itself and forks a short way above, one road to Zahara and the other to Benamahoma and El Bosque. There’s a great walk starting just along each of the forks, going left in both cases.

From the Benamahoma road you find a sort of style over a barbed wire fence and you can’t miss the path. Go straight on until you reach a farm – several miles. There were young pigs running around at will when I was there. Turn left and right higher up to reach the Salto del Cabrero, Goatherd’s Leap between two limestone ridges – and don’t jump!

The other walk starts up a steep path and crosses a ridge to loop around to Benamahoma, via El Pinsapar, where the rare Spanish fir grows, leaves like a Norway spruce but a blue tinge and a different trunk. Return by the road with the sun going down – fabulous!


Zahara de la Sierra

Zahara de la Sierra and its idyllic setting with views that can only be fully appreciated by standing at one of the look-out balconies - miradores, or by climbing up to the old Moorish castle keep, passing the old mosque to your right-hand side. The locals call it 'divina' evoking some of the love one feels for this place.
And the locals themselves? Friendly, generally small with bizarre Castillian accents, eyes deep and dark with mysterious gazes that send Arabia swooping over you like a desert sandstorm. That rapid look can judge you instantaneously, and should you cross that first expanse then you are in and integrated.
There are two central plazas where two old churches stand - each one of a differing architecture with beautiful colours and ceramic roofing tiles. Enter one and you may hear a Peruvian priest - El Cura - giving a sermon with Old World grace and qualities, enter the other and you will find the float of the Virgin Mary sadly and vacantly casting her wilted head and eyes downwards. She is carried through the streets during religious festivals.

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BULLFIGHT and MUSIC at the anual PEDRO ROMERO FAIR in RONDA

(This fair is declared Official Tourist Interest by the Andalusian Government)


During the first week of September, Ronda celebrates its anual Pedro Romero Fair, probably the most famous and important event of the area, the Serrenia of Ronda, in the west of the province of Málaga, south Spain .

The fair will take one week, from Sunday to Sunday, and brings music, dance, and of course Bullfight, the Goyesca Corrida. The real festivities start with a big traditional city parade on Monday, where the prestigious Goyesca Ladies, local women in typical dresses, acting as the Fair's representatives, are presented to the public.
The Parade ends at the official Fair Area, just outside the city centre, and with the lightning of the enormous Entrance Wall, the official start of the Fair will be given. Behind that wall you have the attractions area (Bingo, Big Wheel, ...) and the area with the Casetas (prefab boxes with drinks, music, dancing, ...) where people will party all day and all night, a whole week long.


Every year again the Fair brings people from all over the world to Ronda and covers the city into a big public open air party in the romantic and decorated streets from the city, where people enjoy music, dance, singing, wine... or just hanging around, from 'noon till siesta'. At night people can go to the official Fair Area, where local bars welcome you at their Caseta.
During the whole week of the Fair special Theater performances, Flamenco singing and sports events will also be organised.


On the last 2 days of the Fair, Saturday and Sunday, the Traditional Goyesca Bullfight takes place. Because of the combination of an incredible show with the spectacular frame for it, the more than two hundred years old Bullring of the Royal Cavalry Order of Rond, this Corrida is the Fair's Highlight and maybe the most important bullfight of the year in Spain, together with the SAN ISIDRO bullfights in Madrid in May.

People from all over the world, come to Ronda, dress up and go to the world's oldest bullring, to see and to be seen, to enjoy and to get excited with the "Olé's" from the crowd, the art of the Toreros and passing the afternoon in a haze of cigar smoke, drinking wine and feel tradition... The Goyesca Bullfight has got its own personality which made romantic travellers, like Hemingway or Welles, come to Ronda in the past, to participate at this popular feast.



Also a Carriage's Contest is anualy organised and shows you an unseen serie of ancient carriages, pulled by horses with colourful covers with unique design, iron and golden attachements and little bells sounding like a symphony of an amazing but unknown maestro; the magnificient saddlery works, the leather hand made boots and trousers of the riders... You don't know where to look first.





FAIR OF RONDA, every year first week of September.

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